John Carpenter, Alan Howarth's 'Coming to L.A.' had a release date set for November 21, 1989. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 29 in the song's album "They Live - Expanded Original Motion Picture Soundtrack 20th Anniversary Edition". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. The popularity of Coming to L.A. is currently below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Coming to L.A. by John Carpenter, Alan Howarth having a BPM of 182 with a half-time of 91 BPM and a double-time of 364 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Corso | Wojciech Kilar | A Minor | 1 | 8A | 128 BPM | ||
| The Main Title - The Color Of Money/Soundtrack Version | Robbie Robertson, Gil Evans | F Major | 2 | 7B | 96 BPM | ||
| Hydrophobia | Adrian Johnston | E Major | 2 | 12B | 72 BPM | ||
| Noon | Éric Serra | D♭ Major | 3 | 3B | 102 BPM | ||
| Savage Rite | Riz Ortolani | B Minor | 3 | 10A | 81 BPM | ||
| S. D. Plissken | Kurt Russell | B♭ Minor | 3 | 3A | 109 BPM | ||
| Sparkling Wine | PA Mic | C Major | 7 | 8B | 130 BPM | ||
| Nel cimitero di Tucson | Gianfranco & Gianpiero Reverberi | B♭ Minor | 1 | 3A | 114 BPM | ||
| The Museum - Excerpt from Dressed to Kill | Orchestra Sinfonica Di Milano, Pino Donaggio | F Major | 2 | 7B | 136 BPM | ||
| Give Me Some Sugar / Bone'anza | Joseph Loduca | G Major | 2 | 9B | 53 BPM | ||
| Son of Placenta Previa | Cliff Martinez | B♭ Minor | 2 | 3A | 113 BPM | ||
| "10 Haunted Hotels" | Gabriel Yared | G Major | 6 | 9B | 91 BPM | ||
| Tron Scherzo | London Philharmonic Orchestra, Wendy Carlos | C Major | 2 | 8B | 90 BPM | ||
| Demon | Claudio Simonetti | B♭ Minor | 8 | 3A | 101 BPM | ||
| Looking For Me | Basil Poledouris | F Minor | 3 | 4A | 134 BPM | ||
| Fratelli Chase | Dave Grusin | D Minor | 4 | 7A | 80 BPM | ||
| Theme From The Conversation - Ensemble | David Shire | C Minor | 1 | 5A | 103 BPM | ||
| The Orgy Conan The Barbarian | Steven Scott Smalley | C Major | 3 | 8B | 173 BPM | ||
| Leed's House - From "Manhunter" Soundtrack | The Reds | A Minor | 0 | 8A | 119 BPM | ||
| I giorni dell'ira | Riz Ortolani | C Minor | 8 | 5A | 135 BPM | ||
| Main Title (A Nightmare on Elm Street) | Charles Bernstein | D Major | 4 | 10B | 112 BPM | ||
| I'll Be Back / Police Station & Escape | Brad Fiedel | G Major | 4 | 9B | 60 BPM | ||
| HalloweeN Returns Theme (1981 Mix) | Tony McKee, John Carpenter | B Minor | 5 | 10A | 135 BPM | ||
| Main Title | Alan Howarth, Larry Hopkins | C Major | 0 | 8B | 79 BPM | ||
| The Devil's Rumble | Davie Allan & The Arrows | D Major | 7 | 10B | 127 BPM |