Robbie Robertson, Gil Evans's ' "The Main Title - The Color Of Money/Soundtrack Version" was released on its scheduled release date, January 1, 1986. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. The Main Title - The Color Of Money/Soundtrack Version's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "The Color Of Money (The Original Motion Picture Soundtrack)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. In terms of popularity, The Main Title - The Color Of Money/Soundtrack Version is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With The Main Title - The Color Of Money/Soundtrack Version by Robbie Robertson, Gil Evans having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Live to Tell - Instrumental | Madonna | D Minor | 5 | 7A | 109 BPM | ||
| Pep Talk | Marc Shaiman | A Minor | 0 | 8A | 77 BPM | ||
| Starman Leaves / End Title | Jack Nitzsche | B♭ Major | 2 | 6B | 105 BPM | ||
| River of Hills | Jonny Greenwood | C Major | 1 | 8B | 89 BPM | ||
| Blue Morgan (End Credits) - From "Million Dollar Baby" | Clint Eastwood | C Major | 0 | 8B | 72 BPM | ||
| Ultramarine | Michael Brook | B♭ Minor | 4 | 3A | 137 BPM | ||
| Living Waters | Philip Glass | D Minor | 0 | 7A | 134 BPM | ||
| Experiment in Terror | Henry Mancini | D Minor | 3 | 7A | 112 BPM | ||
| Future Markets | Jonny Greenwood | F Minor | 3 | 4A | 133 BPM | ||
| Zee Zee | Gil Evans | G Minor | 3 | 6A | 74 BPM | ||
| Suite for Orchestra (Overture) No. 3 in D major, BWV 1068: Air | Johann Sebastian Bach, Collegium Aureum, Franzjosef Maier | D Major | 1 | 10B | 95 BPM | ||
| Of Helplessness - From "Heat" | Brussels Philharmonic, Dirk Brossé, Elliot Goldenthal | D♭ Major | 1 | 3B | 168 BPM | ||
| Terminator Arrival / Reese Chased / Sarah on Motorbike | Brad Fiedel | G Minor | 2 | 6A | 79 BPM | ||
| Ride To Atlantis | Marvin Hamlisch | F♯ Major | 3 | 2B | 93 BPM | ||
| Pam | National Philharmonic Orchestra | G Major | 1 | 9B | 134 BPM | ||
| Still Standing | Robbie Robertson | C Major | 6 | 8B | 88 BPM | ||
| Licorice Pizza | Jonny Greenwood | C Major | 0 | 8B | 110 BPM | ||
| St. Louis Blues | Gil Evans | A Minor | 3 | 8A | 178 BPM | ||
| Leed's House - From "Manhunter" Soundtrack | The Reds | A Minor | 0 | 8A | 119 BPM | ||
| Fletch Theme | Harold Faltermeyer | G Major | 8 | 9B | 100 BPM | ||
| Something Hidden | Mychael Danna | D♭ Minor | 1 | 12A | 121 BPM | ||
| Off The Boat | Pray For Rain | C Major | 2 | 8B | 104 BPM | ||
| Light This Candle | Bill Conti | F Minor | 3 | 4A | 105 BPM | ||
| Third Floor Hallway | Punch-Drunk Love | A Minor | 1 | 8A | 114 BPM | ||
| Theme from "The Swimmer" (Send for Me In Summer) / Big Splash | Marvin Hamlisch | F Minor | 1 | 4A | 76 BPM |