David Atkinson's ' "All Nations Come" was released on its scheduled release date, January 1, 2007. This song is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Time For War". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. The popularity of All Nations Come is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With All Nations Come by David Atkinson having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don't Ask Me | David Atkinson, Lee Cass, Gaylea Byrne, Mimi Randolph, Christina Gillespie, Dom DeLuise | B♭ Major | 4 | 6B | 163 BPM | ||
| Father To Son | Francine Lefrak | F Major | 0 | 7B | 108 BPM | ||
| 6. Stop! ladies, pray! A man! | Arthur Sullivan, Pauline Wales, Jean Allister, Philip Potter, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | B♭ Minor | 0 | 3A | 169 BPM | ||
| I'll Never Say No | Harve Presnell | A♭ Major | 2 | 4B | 174 BPM | ||
| Look Back Through a Rose-Tinted Eyepatch (feat. Martin Callaghan, the Pirates & David Birrell) | George Stiles, Anthony Drewe, Martin Callaghan, The Pirates, David Birrell | D Major | 5 | 10B | 95 BPM | ||
| I Love a Fool | Christina Randolph, Dom De Luise, Gaylea Byrne, Lee Cass, Mimi Randolph, David Atkinson | E Minor | 4 | 9A | 130 BPM | ||
| The Grand Parade / Some Have, Some Have Not / As It Should Be | Brent Barrett, Henry Grossman, John Wylie, Grand Hotel Ensemble, Kathi Moss, William Ryall, Bob Stillman, David Elledge, Walter Willison | D♭ Major | 5 | 3B | 75 BPM | ||
| My Fair Lady, Act I Scene 4: How'd Ya Like That? | Frederick Loewe, Annie Wensak, Leo Roberts, Alun Armstrong | D♭ Major | 2 | 3B | 50 BPM | ||
| True Love | Bing Crosby, Grace Kelly | E♭ Major | 2 | 5B | 44 BPM | ||
| One Hundred Easy Ways | Rosalind Russell | F Minor | 2 | 4A | 68 BPM | ||
| Just In Time | Judy Holliday | G Minor | 1 | 6A | 121 BPM | ||
| Unlikely Lovers | William Finn | E Major | 1 | 12B | 108 BPM | ||
| Kapitel 44 - Wie Nathan Jones wieder zu träumen lernte | David Atkinson, Max Hoffmann | D♭ Major | 3 | 3B | 83 BPM | ||
| It's All About Me | Patch the Pirate | E Major | 5 | 12B | 83 BPM | ||
| Kapitel 7 - Wie Nathan Jones wieder zu träumen lernte | David Atkinson, Max Hoffmann | D♭ Major | 3 | 3B | 126 BPM | ||
| H.M.S. Pinafore / Act 1: The nightingale sighed | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | A♭ Major | 0 | 4B | 85 BPM | ||
| Letter to the Governor | Don Chastain | E♭ Minor | 1 | 2A | 79 BPM | ||
| So In Love (Reprise) | Broadway Cast Recording | G Major | 2 | 9B | 82 BPM | ||
| Kapitel 156 - Wie Nathan Jones wieder zu träumen lernte | David Atkinson, Max Hoffmann | D♭ Major | 3 | 3B | 107 BPM | ||
| Sunrise Letter | Original Broadway Cast Of 'Passion' | C Minor | 2 | 5A | 80 BPM | ||
| Waitin' for My Dearie | Carol Richards | G Major | 1 | 9B | 94 BPM | ||
| I've Come To Wive It Wealthily In Padua | Broadway Cast Recording | B♭ Major | 5 | 6B | 109 BPM | ||
| 1776: He Plays the Violin | Sherman Edwards, Betty Buckley, Rex Everhart, William Daniels, Peter Howard | C Minor | 3 | 5A | 68 BPM | ||
| Kapitel 133 - Wie Nathan Jones wieder zu träumen lernte | David Atkinson, Max Hoffmann | D♭ Major | 3 | 3B | 82 BPM | ||
| The Oldest Established | Nathan Lane, Walter Bobbie, J.K. Simmons, Guys and Dolls Ensemble (1992) | G Major | 3 | 9B | 141 BPM |