Alexander Courage, Gerald Fried, Bob Karlan's 'The Processional' had a release date set for 1967. With This song being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Star Trek, Vol. 2 - Doomsday Machine and Amok Time". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United States. In terms of popularity, The Processional is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Processional by Alexander Courage, Gerald Fried, Bob Karlan having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| First Contact | Star Trek - First Contact | G Major | 1 | 9B | 143 BPM | ||
| More Action | Elmer Bernstein | F♯ Major | 1 | 2B | 76 BPM | ||
| STRIPES: March | The Meridian Studio Ensemble | B♭ Major | 6 | 6B | 123 BPM | ||
| Vapor | Mesyrea | F Minor | 6 | 4A | 154 BPM | ||
| Retreat | Star Trek - First Contact | F Major | 2 | 7B | 128 BPM | ||
| Trouble For Charlie - From "The Italian Job" Soundtrack | Quincy Jones | E Major | 2 | 12B | 81 BPM | ||
| What is Doomsday Machine / The Planet Killer | Alexander Courage, Gerald Fried, Bob Karlan | E Minor | 1 | 9A | 77 BPM | ||
| World Exclusive Foiled | Barry Gray | D Major | 8 | 10B | 124 BPM | ||
| Murphy's Dream | Basil Poledouris | F Major | 2 | 7B | 101 BPM | ||
| Prologue / Main Title | Stu Phillips | F Major | 0 | 7B | 71 BPM | ||
| Flight To Freedom | Sam Spence | D Major | 6 | 10B | 96 BPM | ||
| The Corbomite Maneuver: Radiation / Cube Radiation / Baby Balok / Fesarius Approaches - From "The Corbomite Maneuver" | Fred Steiner, Royal Philharmonic Orchestra | F Major | 2 | 7B | 67 BPM | ||
| The End Titles | Angela Morley | C Major | 1 | 8B | 114 BPM | ||
| Prologue | Joseph Loduca | E Major | 2 | 12B | 170 BPM | ||
| Kiss My Arrrtichoke | Julian Nott, Rupert Gregson-Williams, James Michael Dooley, Lorne Balfe, Alastair King | A♭ Major | 4 | 4B | 141 BPM | ||
| Star Trek Generations Overture | Dennis McCarthy | E♭ Major | 2 | 5B | 169 BPM | ||
| The Dish | Star Trek - First Contact | D Major | 1 | 10B | 111 BPM | ||
| Red Heat Theme | Various Artists | A Major | 3 | 11B | 80 BPM | ||
| Flying Messenger | Oliver Armstrong | D Minor | 0 | 7A | 144 BPM | ||
| Borg Engaged | Jerry Goldsmith, Ron Jones | C Minor | 2 | 5A | 67 BPM | ||
| Despair | Ennio Morricone | A Minor | 1 | 8A | 70 BPM | ||
| Leaving Home | John Williams | A Major | 1 | 11B | 113 BPM | ||
| The Final Escape (Lo Pan's Demise/Getaway) | John Carpenter | D Major | 7 | 10B | 117 BPM | ||
| The Taking of Pelham 123 (Main Title) | Czech Philharmonic Chamber Orchestra | B♭ Minor | 7 | 3A | 176 BPM | ||
| Seven Men Completed | Fumio Hayasaka | A♭ Major | 1 | 4B | 104 BPM |