"First Contact" by Star Trek - First Contact had its release date on March 5, 2010. This song is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The song is number 10 out of 13 in First Contact by Original Soundtrack/star Trek. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, First Contact's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of First Contact by Star Trek - First Contact is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 5/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Matrix | Koda Bark | F Major | 4 | 7B | 120 BPM | ||
| The Courier | Trevor Jones | D♭ Major | 3 | 3B | 85 BPM | ||
| Der Elfenbeinturm | Klaus Doldinger | C Major | 3 | 8B | 82 BPM | ||
| Star Trek Generations Overture | Dennis McCarthy | E♭ Major | 2 | 5B | 169 BPM | ||
| Sunday Morning | Mark Braids, Mark Buho | B♭ Minor | 3 | 3A | 80 BPM | ||
| Big Victory March | Craig Safan | D♭ Major | 4 | 3B | 114 BPM | ||
| 2 B Human: Ba'ku Theme (From "Star Trek: Insurrection") [Live] | Jerry Goldsmith, Czech National Symphony Orchestra, Justin Freer | B♭ Major | 0 | 6B | 120 BPM | ||
| Deciding for My Future Self | Shelly | B♭ Minor | 2 | 3A | 66 BPM | ||
| A New Horizon | Dos Brains | F Major | 2 | 7B | 137 BPM | ||
| Cemetary Of Dead Ships | Jerry Goldsmith, Ron Jones | D♭ Major | 1 | 3B | 136 BPM | ||
| Whispers in the Shadows | AI Creations | E Major | 3 | 12B | 78 BPM | ||
| Tranquil Breeze | Rylandiaa | E Major | 3 | 12B | 175 BPM | ||
| Forbidden Love | Elliot Leung, Long Yu, Shanghai Symphony Orchestra | D Major | 1 | 10B | 77 BPM | ||
| Brideshead Revisited - Main Theme | Philharmonia Orchestra, Geoffrey Burgon | C Major | 2 | 8B | 112 BPM | ||
| Epilogue / End Title | James Horner | G Major | 3 | 9B | 97 BPM | ||
| Con Contratiempos | Armonias | D Major | 3 | 10B | 68 BPM | ||
| Going Home (End Titles from “Master of the Air”) | Blake Neely | C Major | 1 | 8B | 76 BPM | ||
| Logan and Rogue | Michael Kamen, The LA Allstar Orchestra | D Minor | 1 | 7A | 79 BPM | ||
| The Voyage To Mordor; Theme From The Lord Of The Rings | Leonard Rosenman | B♭ Major | 3 | 6B | 120 BPM | ||
| The Neutral Zone: Romulan Encounter | Ron Jones | D Minor | 2 | 7A | 131 BPM | ||
| Risen | Ceyran Huseynova, Feirn Mont | F Major | 3 | 7B | 94 BPM | ||
| West Point | Howard Shore | D Minor | 1 | 7A | 105 BPM | ||
| The Oval Office To Main Title | W.G. Snuffy Walden | G Major | 3 | 9B | 112 BPM | ||
| The Wedding Night | Patrick Doyle | C Major | 3 | 8B | 79 BPM | ||
| Under The Garden / The Prize Highlander - The Final Dimension | Diverse | F Major | 3 | 7B | 81 BPM |