E. Pujol, Sebastiao Tapajós's ' "Estudio romantico" was released on its scheduled release date, June 11, 1973. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Estudio romantico's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 10 in Clásico by Sebastiao Tapajós. Going off of the ISRC code of this track, we detected that the origin of this track is from Argentina. Estudio romantico is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Estudio romantico by E. Pujol, Sebastiao Tapajós is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hommage a Tarrega: II. Soleares | Joaquin Turina, Arash Ahmadi | D Major | 2 | 10B | 91 BPM | ||
| Prelúdio No. 3 | Sergio & Odair Assad | A Minor | 2 | 8A | 73 BPM | ||
| El corazón manda | Carlos Moscardini | B Minor | 2 | 10A | 134 BPM | ||
| Fortin Kakel | Roberto Lara | A Major | 1 | 11B | 79 BPM | ||
| Medley or Three Pieces: No. 1, Madrigal (Gavota) | Agustín Barrios Mangoré, John C. Williams | A Major | 0 | 11B | 131 BPM | ||
| Canto | Matthias Lindner | G Major | 4 | 9B | 80 BPM | ||
| Otra Oportunidad | Rio Bossa Trio, Bossa & Bose, Taryn Szpilman | D♭ Major | 1 | 3B | 97 BPM | ||
| 3 Piezas: De la rais a la copa | Juan Falú, Victor Villadangos | D Major | 1 | 10B | 88 BPM | ||
| Bach, JS: Prelude in C Minor, BWV 999 (Arr. for Guitar, Performed in D Minor) | Johann Sebastian Bach, Barbara Polasek | G Major | 4 | 9B | 80 BPM | ||
| Entrelaços | Jean Charnaux | F Major | 1 | 7B | 84 BPM | ||
| Musica Incidental para Cine | Abel Carlevaro | E Minor | 2 | 9A | 108 BPM | ||
| Preludio in A Minor | Agustín Barrios Mangoré, Celil Refik Kaya | F Major | 0 | 7B | 109 BPM | ||
| Suite en La Menor: I. Preludio | Manuel Ponce, Raúl Zambrano | F Major | 1 | 7B | 92 BPM | ||
| Tango brasileiro | Alexandre Levy, Clelia Iruzun | A Major | 1 | 11B | 108 BPM | ||
| El Negrito | Antonio Lauro, Adam Holzman | G Major | 1 | 9B | 82 BPM | ||
| Coming Back | Victor Villadangos | E Minor | 1 | 9A | 103 BPM | ||
| Adelita, Mazurka | Philip Hemmo | E Major | 1 | 12B | 93 BPM | ||
| Valse, Op. 64: II. Tempo giusto | Frédéric Chopin, Tatyana Ryzhkova | A Minor | 4 | 8A | 147 BPM | ||
| Cantar de Mi Pago | Carlos Martínez | E Minor | 2 | 9A | 132 BPM | ||
| Sanibel | Alberto Rojo | A Major | 3 | 11B | 80 BPM | ||
| El abejorro | E. Pujol, Sebastiao Tapajós | A Minor | 3 | 8A | 82 BPM | ||
| Maria Carolina | Antonio Lauro, Adam Holzman | A Minor | 1 | 8A | 91 BPM | ||
| Minueto a Sylvia | Isaac Albéniz, David Russell | E Minor | 3 | 9A | 100 BPM | ||
| Dino Pintando o Sete Cordas | Sivuca | A Minor | 4 | 8A | 81 BPM | ||
| Seriões (Modinha) Andante - From "Cenas Brasileiras" | Isias Savio, Kaare Norge | A Minor | 1 | 8A | 96 BPM |