What is the BPM for 無伴奏フルートのための12のファンタジーより第７番ニ長調 by G.P. テレマン, 栃尾克樹（バリトン・サクソフォン）?

The tempo for 無伴奏フルートのための12のファンタジーより第７番ニ長調 is 76 beats per a minute with a half-time of 38 BPM and a double-time of 152 BPM.

What is the music key for 無伴奏フルートのための12のファンタジーより第７番ニ長調 by G.P. テレマン, 栃尾克樹（バリトン・サクソフォン）?

The music key for 無伴奏フルートのための12のファンタジーより第７番ニ長調 is A Major or a camelot key of 11B.

無伴奏フルートのための12のファンタジーより第７番ニ長調 by G.P. テレマン, 栃尾克樹（バリトン・サクソフォン） Song Details

G.P. テレマン, 栃尾克樹（バリトン・サクソフォン）'s ' "無伴奏フルートのための12のファンタジーより第７番ニ長調" was released on its scheduled release date, April 25, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in エヴォカシオン～無伴奏サクソフォン作品集～, so we believe that "無伴奏フルートのための12のファンタジーより第７番ニ長調" is a single. 無伴奏フルートのための12のファンタジーより第７番ニ長調 is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

The tempo marking of 無伴奏フルートのための12のファンタジーより第７番ニ長調 by G.P. テレマン, 栃尾克樹（バリトン・サクソフォン） is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -22.702 dB
Acousticness: 98%
Danceability: 57%
Energy: 13%
Instrumentalness: 90%
Liveness: 14%
Loudness: 62%
Speechiness: 5%
Valence: 52%

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