On January 1, 2014, the song "Kage Boss" was released by Oleksa Lozowchuk, Traz Damji, Hayate, Kenichi Yoshida. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 35 in the song's album "Super Dead Rising 3: Original Soundtrack (Arcade Remix)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Kage Boss's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Kage Boss by Oleksa Lozowchuk, Traz Damji, Hayate, Kenichi Yoshida having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| England (The Industrial Era) | Geoff Knorr | D Major | 1 | 10B | 97 BPM | ||
| Until We Meet Again | Masatoshi Yanagi | F Major | 7 | 7B | 189 BPM | ||
| To Find What Was Lost | Niels van der Leest | A Major | 3 | 11B | 134 BPM | ||
| The Pride of the Arena | Niels van der Leest | E Major | 7 | 12B | 164 BPM | ||
| I Was Born For This | Austin Wintory, London Symphony Orchestra | A Minor | 6 | 8A | 76 BPM | ||
| The Leaving | Jessica Curry | D Major | 4 | 10B | 87 BPM | ||
| The World on Her Shoulders (feat. Julie Elven) | Joris de Man, Julie Elven | D♭ Minor | 3 | 12A | 83 BPM | ||
| Departure | Frida Johansson, Henrik Oja | G Minor | 4 | 6A | 180 BPM | ||
| Kay's Theme | Guy Jackson, Ella Hohnen-Ford | D Minor | 1 | 7A | 128 BPM | ||
| Off the Trail | Joris de Man | D♭ Minor | 3 | 12A | 83 BPM | ||
| Death's Door | David Fenn | E Minor | 6 | 9A | 105 BPM | ||
| Thunder Harvest | Max LL | G Major | 5 | 9B | 87 BPM | ||
| A Great Gift | Dorian Behner | C Major | 0 | 8B | 87 BPM | ||
| Funeral | Dorian Behner | F Minor | 1 | 4A | 107 BPM | ||
| Nine Blades | Borislav Slavov | C Major | 3 | 8B | 120 BPM | ||
| Someone I Once Knew | Oleksa Lozowchuk | D Minor | 3 | 7A | 94 BPM | ||
| Stroll Through Nicodranas | Critical Role, Omar Fadel | A♭ Minor | 3 | 1A | 85 BPM | ||
| Trouble at the Docks | Critical Role, Matthew Carl Earl | F Major | 4 | 7B | 130 BPM | ||
| The Wings of the Ten (feat. Julie Elven) | The Flight, Julie Elven | D♭ Minor | 3 | 12A | 83 BPM | ||
| Final Confrontation | Max LL | G Major | 8 | 9B | 136 BPM | ||
| Let Us Live, Since We Must Die | Michael Allen | D Major | 2 | 10B | 116 BPM | ||
| When I Sail | Clinton Shorter | D Minor | 2 | 7A | 101 BPM | ||
| Niamh's Lullaby | chuck e. myers 'sea', Hogwarts Legacy | D Minor | 1 | 7A | 143 BPM | ||
| Final Ascent | Warframe, Matthew Chalmers | D♭ Major | 9 | 3B | 130 BPM | ||
| Terror Is Reality | The Humble Brothers, Oleksa Lozowchuk | A Minor | 9 | 8A | 101 BPM |