Devendra Pathak's ' "Kalratri Vadh KO Taiyar Hai" was released on its scheduled release date, December 21, 2018. This song is about six minutes long, preciously at 6:20, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Nau Devi Bhajan Sangrah". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. Based on our statistics, Kalratri Vadh KO Taiyar Hai's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Kalratri Vadh KO Taiyar Hai by Devendra Pathak having a BPM of 148 with a half-time of 74 BPM and a double-time of 296 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gajanand Maharaaj Padhro | Anjali Jain, Rakesh Kala, Ajeet Manocha, Pramod | A♭ Major | 8 | 4B | 87 BPM | ||
| Murlidhar Chaliya Mohan | Devendra Pathak | A Minor | 7 | 8A | 79 BPM | ||
| Nibiya Ke Daadh Maiya | MANOJ TIWARI | F♯ Major | 5 | 2B | 115 BPM | ||
| Achyutam Keshavam | Madhvi Madhukar | E♭ Major | 3 | 5B | 176 BPM | ||
| Hari Naam Nahi to Jina Kya | Devendra Pathak | A♭ Minor | 7 | 1A | 96 BPM | ||
| Mhane Bhi Bula Le Baba Thari Nagari Me | Mukesh Kumar | F Minor | 9 | 4A | 172 BPM | ||
| Shiv Shankar Maheshwaram | Mridul Krishan Shastri | A♭ Major | 6 | 4B | 79 BPM | ||
| Padharo Shyam Baba | Reshmi Sharma | E♭ Major | 7 | 5B | 150 BPM | ||
| Sawariya Hai Seth Mhari Radha Ji | Niranjan Sarda, Pushpa Banerjee | A Major | 7 | 11B | 141 BPM | ||
| Daya Thodi Si Kardo Na | Sonu Bishnoi | F♯ Major | 7 | 2B | 79 BPM | ||
| Ek Nazar Kripa Ki Kar Do | Vinod Agarwal | G Major | 7 | 9B | 116 BPM | ||
| Bol Jaikare Re Bol Jaikare | Shahnaz Akhtar | B Minor | 9 | 10A | 104 BPM | ||
| Ram Naam Ke Sabun | Prem Prakash Dubey | E Major | 9 | 12B | 92 BPM | ||
| Mujhe Gale Se Lga Lo | Giriraj Kumar | D♭ Major | 8 | 3B | 110 BPM | ||
| Doob Chalo din Mai doob Chalo | Rakesh Tiwari | A♭ Major | 6 | 4B | 78 BPM | ||
| Aaja Hare Ke Sahare | Ram Kumar Lakkha | D♭ Major | 8 | 3B | 144 BPM | ||
| Sathi Hamara Kaun Banega | Sanjay Pareek | A♭ Major | 7 | 4B | 87 BPM | ||
| Aisa Damru Bajaya Bhole Nath Ne | Mishra Bandhu | F♯ Minor | 7 | 11A | 126 BPM | ||
| Bhagwan Tumhare Charno Mein | Santosh Upadhyay | C Major | 7 | 8B | 120 BPM | ||
| Bajrang Bali Bajrang | Dukalu Yadav | B Minor | 9 | 10A | 75 BPM | ||
| Sitaram Hanuman Kirtan | Salasar Balaji, Manohar Pujari | F♯ Minor | 8 | 11A | 80 BPM | ||
| Har Gyaras Ko | Brijraj Singh Lakkha | D Minor | 8 | 7A | 80 BPM | ||
| Radhe Tere Charno Ki Dhool Jo Mil Jaye | Chetna | B♭ Major | 4 | 6B | 139 BPM | ||
| Lagan Lagi Tose | Shahnaz Akhtar | D♭ Major | 9 | 3B | 150 BPM | ||
| Mud Mud Ke Dekhu Shyam | Rajni Rajasthani | E Major | 9 | 12B | 130 BPM |