Sanjay Pareek's ' "Sathi Hamara Kaun Banega" was released on its scheduled release date, January 28, 2023. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Sanjay Pareek's "Kanhaiya Ka Sahara" album is number 8 out of 8. On top of that, India appears to be the country where this track was created. Sathi Hamara Kaun Banega is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Sathi Hamara Kaun Banega by Sanjay Pareek to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Picham Dhara Su Mara Peer Ji Padhariya | Moinudin Manchala | F Minor | 7 | 4A | 98 BPM | ||
| Hari Naam Ki Mala | Vinod Rathod | A Minor | 7 | 8A | 125 BPM | ||
| Bari Door Teri Gokul Nagri | Shridhay Shri Mridul krishna shastri ji maharaj | F♯ Minor | 7 | 11A | 77 BPM | ||
| Mhara Hariya Ban Ra Suvtiya | prakashdasswamiofficial | F♯ Major | 8 | 2B | 144 BPM | ||
| Shyam Teri Bansari Bajne Lagee | Shridhay Shri Mridul krishna shastri ji maharaj | F Major | 7 | 7B | 155 BPM | ||
| Mahra Piyar Main Boi Gangour | Vaishali Sen, Motha Kharte | E Minor | 5 | 9A | 155 BPM | ||
| Kanhaiya Tumhen Ik Najar Dekhna Hai | Bhaiya Krishan Das Ji | E Major | 5 | 12B | 83 BPM | ||
| Rai Ki Burai Kou Kariyo Ne Bhai | Deshraj Narwariya | E♭ Minor | 7 | 2A | 131 BPM | ||
| Namo Sidhkchetram | Rajendra Jain | G Major | 6 | 9B | 81 BPM | ||
| Dulha Bana Hai Baba Ujjain Ki Nagri Me | Shree Darshan, Nitin Bagwan | D♭ Minor | 4 | 12A | 80 BPM | ||
| O Baba Ji | Sanju Sharma | G Major | 8 | 9B | 142 BPM | ||
| Jab Neele Neele Ambar Par | Vinod Agarwal | A♭ Major | 5 | 4B | 154 BPM | ||
| Main To Giridhar Ke Ghar Jaoon | Susmita Das | D♭ Major | 5 | 3B | 140 BPM | ||
| Ayodhya Ram Aaye Hain | Devendra Pathak | D♭ Major | 9 | 3B | 140 BPM | ||
| Paani Hai Sir Se Uper - Hindi | Vikas Jha | A♭ Major | 7 | 4B | 90 BPM | ||
| Govind Mero Hai | Anil Hanslas | D♭ Major | 7 | 3B | 107 BPM | ||
| Maat Shree Rani Sati Ji Meri Prachin Aarti Rani Sati Dadi Bhajan - Rani Sati Dadi Bhajan | Saurabh Madhukar, Keshav Madhukar | D♭ Major | 3 | 3B | 168 BPM | ||
| Mehandipur Ke Dham Chalenge | Narender Kaushik | F♯ Major | 8 | 2B | 137 BPM | ||
| Shyam Apne Gale Se Lagao | Sanjay Pareek | B Major | 7 | 1B | 100 BPM | ||
| Holi Ka Rang | Baba Rasika Pagal | A♭ Major | 8 | 4B | 99 BPM | ||
| Ram Tumhara Dham Chhodkar | Chandan Dass | F Minor | 4 | 4A | 99 BPM | ||
| Pijra Se Bhagal Suganwa | Gopal Rai | A♭ Major | 6 | 4B | 77 BPM | ||
| JO SHARDA KAR SEVDE - RINKU VEER JI | Sachharab | F Minor | 6 | 4A | 95 BPM | ||
| Naman Hai Barambar | Sanjay Pareek | E♭ Minor | 9 | 2A | 80 BPM | ||
| Teri Mand Mand Muskaniya Pe Balihar Raghav Ji | Chetna | A♭ Minor | 5 | 1A | 138 BPM |