On October 21, 2021, the song "Ayodhya Ram Aaye Hain" was released by Devendra Pathak. This song is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. Because this song is the only song in Ayodhya Ram Aaye Hain and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Ayodhya Ram Aaye Hain's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Ayodhya Ram Aaye Hain by Devendra Pathak is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Apne Bhakton Ki Suno Zara Pukar | Sharma Bandhu | D♭ Major | 6 | 3B | 155 BPM | ||
| Radha Radha Kirtan | Kunj Bihari Das | C Major | 6 | 8B | 160 BPM | ||
| Mera Lajpaal Hai Mera Khwaja Piya | Nusrat Qadri | D♭ Minor | 6 | 12A | 127 BPM | ||
| Shyam Ardas | Avinash Karn | E Major | 8 | 12B | 98 BPM | ||
| Sakhi Ri Mohe Laaj Bairan Bhayi | Susmita Das | C Major | 6 | 8B | 148 BPM | ||
| Bhala Kisi Ka Kar Na Sako To | Rajan Sajan | C Major | 4 | 8B | 83 BPM | ||
| Ye Hakikat Hai Sunle | Riza Khan | E Major | 8 | 12B | 103 BPM | ||
| Humro Pranam Pranam Bankey Bihari Ko | Mridul Krishan Shastri, Gourav Krishan Goswami | G Major | 7 | 9B | 136 BPM | ||
| Chal Turi Chal Turi | Mithlesh Sahu, Alka Chandrakar | F♯ Major | 8 | 2B | 136 BPM | ||
| Sansar Ke Logo Se Asha Na Karna | Devendra Pathak | E♭ Major | 5 | 5B | 150 BPM | ||
| Mandir Me Rehte Ho Bhagwan | Devendra Pathak | B Major | 8 | 1B | 165 BPM | ||
| Jumdev Ji Ki Nikli | Satish | A♭ Major | 9 | 4B | 134 BPM | ||
| Likh Do Mare Rom Rom Me | Radha Krishnaji Maharaj | F♯ Major | 4 | 2B | 144 BPM | ||
| Kanak Bhawan Darwaje Khade Raho | Devendra Pathak | B♭ Major | 9 | 6B | 159 BPM | ||
| Holi Ka Tyohaar Hai Aaya | Gyanendra Sharma, Ravi Sharma | C Major | 9 | 8B | 135 BPM | ||
| Chota Sa Mandir Banayenge | Manish Tiwari | A Minor | 2 | 8A | 88 BPM | ||
| Han Yeh Mana Meri Jaan (Yeh Mana Meri Jan Mohabbat) | Vipin Sachdeva | F♯ Major | 7 | 2B | 80 BPM | ||
| Shree Jeen Mata Mangalpath 1st Adhyay - Shree Jeen Mata Mangalpath Saurabh Madhukar Keshav Madhukar | Saurabh Madhukar, Keshav Madhukar | B♭ Minor | 9 | 3A | 103 BPM | ||
| Radhe Kon Se Punya Kiye Tumne Hari Roj Tere Ghar Ate Hai | Deeksha Jangra | B Major | 8 | 1B | 124 BPM | ||
| Meri Ladli Ke Jaisa Dooja Koi Nahi | Mukul Dwivedi | A Major | 6 | 11B | 145 BPM | ||
| Hnauman Chalisha | Devendra Pathak, Sudhir Vyas | D♭ Major | 9 | 3B | 112 BPM | ||
| Meri Baah Pakkad Lo Khatu Shyam | Pyare Chauhan | G Major | 8 | 9B | 172 BPM | ||
| Ram ji ki nagri ram aayenge (Ram bhajan) | Bittu maharaj | A♭ Major | 7 | 4B | 170 BPM | ||
| Din Rat Tu Parani Pap Kare - Hindi | Parmod Kumar | F♯ Major | 9 | 2B | 90 BPM | ||
| Jiski Naiya Ram Bharose | Devendra Pathak | B♭ Major | 8 | 6B | 135 BPM |