"Anchor che col partire" by Cipriano de Rore, La Pedrina had its release date on May 3, 2019. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Anchor che col partire's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Regina bastarda". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Spain. Anchor che col partire is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Anchor che col partire by Cipriano de Rore, La Pedrina having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missa Quarti Toni: Agnus Dei | Vincenzo Ruffo, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 132 BPM | ||
| Palestrina: Missa Papae Marcelli - 4a. Sanctus | The Tallis Scholars, Peter Phillips | F♯ Major | 1 | 2B | 86 BPM | ||
| O Rex gloriae, a 8 | Sebastián de Vivanco, Capilla Flamenca, Oltremontano, Dirk Snellings | E Minor | 2 | 9A | 93 BPM | ||
| Au joly boys | Hilaire Penet, Into the Winds | B♭ Minor | 0 | 3A | 82 BPM | ||
| Victoria: Animam Meam Dilectam - 1. Animam Meam Dilectam | The Tallis Scholars, Peter Phillips | F Minor | 1 | 4A | 80 BPM | ||
| Missa quinis vocibus: Gloria | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | A♭ Minor | 1 | 1A | 125 BPM | ||
| Couperin, L: Suite en fa: III. Courante, G. 69 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 2 | 5B | 135 BPM | ||
| Missa Iste confessor domini: Kyrie Ib | Pierre de la Rue, Musurgia Ensemble, João Francisco Távora | B♭ Minor | 1 | 3A | 76 BPM | ||
| Messe de minuit pour Noël, H. 9: IV. Sanctus | Marc-Antoine Charpentier, Gaétan Jarry, Marguerite Louise, Romain Champion, Mathias Vidal, David Witczak | C Major | 3 | 8B | 70 BPM | ||
| O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
| Missa Sanctae Crucis, MH 56: Gloria | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D Major | 0 | 10B | 84 BPM | ||
| Ricercar sexto | Jacques Buus, Musurgia Ensemble, João Francisco Távora | B♭ Minor | 1 | 3A | 76 BPM | ||
| Otche nash | Ars Poliphonica | B♭ Minor | 1 | 3A | 76 BPM | ||
| Stella, Quam Viderant Magi | Piffaro | A♭ Major | 0 | 4B | 68 BPM | ||
| Kaiserrequiem: VII. Communio (Lux aeterna) | Johann Joseph Fux, Vox Luminis, Lionel Meunier, Scorpio Collectif | C Minor | 1 | 5A | 67 BPM | ||
| Madrigals, Book 1: Amor, ben mi credevo (Arr. O. Harmelin for Lute) | Cipriano de Rore, Orí Harmelin | F♯ Major | 2 | 2B | 168 BPM | ||
| Guerrero: Dios los extremos condena | A5 Vocal Ensemble, Francisco Guerrero | G Minor | 1 | 6A | 126 BPM | ||
| Harp Consort No. 9 in D Major: Pavin on a them by Cormacke | William Lawes, Robin Pharo, Ensemble Près de votre oreille | A♭ Minor | 2 | 1A | 135 BPM | ||
| Heu me, Domine | Vicente Lusitano, The Marian Consort | A♭ Major | 1 | 4B | 76 BPM | ||
| Madrigali Erotici E Spirituali: Qui Laudes | Consort Of Musicke, Gabriele Micheli, Mary Nichols, Claudio Monteverdi, Andrew King, Joseph Cornwell, Emma Kirkby, Evelyn Tubb, Simon Grant | G Minor | 1 | 6A | 65 BPM | ||
| Te lucis ante terminum I | Thomas Tallis, Owain Park, The Gesualdo Six | A♭ Minor | 0 | 1A | 95 BPM | ||
| Facultad organica: No. 15, Tiento de quarto tono, FO 15 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | A♭ Minor | 1 | 1A | 87 BPM | ||
| Lagrime di San Pietro: No. 21, Vide homo, LV 1025 | Orlande de Lassus, Doulce Mémoire, Denis Raisin-Dadre | B♭ Minor | 1 | 3A | 76 BPM | ||
| Tota pulchra es à 4 | Orlande de Lassus, Chœur De Chambre De Namur, Clematis, Leonardo García-Alarcón, Caroline Weynants, Lieselot De Wilde, Miguel Bernal, Matteo Bellotto | B♭ Major | 1 | 6B | 107 BPM | ||
| Alcun non può saper (Arr. O. Harmelin for Lute) | Cipriano de Rore, Orí Harmelin | F♯ Major | 2 | 2B | 168 BPM |