Jay-Jay Johanson's ' "75.07.05 - Instrumental Intro" was released on its scheduled release date, April 12, 1999. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Poison". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Sweden. Based on our statistics, 75.07.05 - Instrumental Intro's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With 75.07.05 - Instrumental Intro by Jay-Jay Johanson having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Je t'aime beaucoup - Soul Goodman Remix | Waldeck, Patrizia Ferrara | F Minor | 5 | 4A | 94 BPM | ||
| Non Credere | Róisín Murphy | F Minor | 2 | 4A | 146 BPM | ||
| Une bonne nouvelle | Mathieu Boogaerts | A♭ Minor | 3 | 1A | 76 BPM | ||
| Stalker | Jay-Jay Johanson | D♭ Major | 7 | 3B | 123 BPM | ||
| Machinery | Warhaus, Sylvie Kreusch | G Major | 3 | 9B | 71 BPM | ||
| Niagara Falls | Jay-Jay Johanson | B Major | 4 | 1B | 93 BPM | ||
| The Snake | Shivaree | F♯ Major | 4 | 2B | 140 BPM | ||
| Hallucination | Jay-Jay Johanson | A♭ Major | 5 | 4B | 95 BPM | ||
| Come Undone | Isobel Campbell, Mark Lanegan | B♭ Minor | 3 | 3A | 172 BPM | ||
| I Love Him So | Funkstörung, Jay-Jay Johanson | E Minor | 4 | 9A | 75 BPM | ||
| I Want Everything | Ratso, Yasmine Hamdan | A Minor | 5 | 8A | 160 BPM | ||
| Weeping Willow | Sébastien Schuller | A Minor | 6 | 8A | 75 BPM | ||
| Balance Back Down Next To Me | Peder | D♭ Minor | 5 | 12A | 88 BPM | ||
| What A World | Joan As Police Woman | C Major | 4 | 8B | 84 BPM | ||
| Leave With Me | Warhaus, Sylvie Kreusch | D♭ Major | 3 | 3B | 92 BPM | ||
| The Mechanism Of All Temporary Things | MARBL | F Minor | 5 | 4A | 137 BPM | ||
| Every Other Night | Hailey Tuck | B♭ Minor | 1 | 3A | 96 BPM | ||
| Continuity, Without Unity - 1940's Jazz Vintage & Retro Jazz Bar | Ladies and Gentlemen | A Minor | 5 | 8A | 176 BPM | ||
| I Should Have Known | Roseaux, Anna Majidson | D Minor | 1 | 7A | 134 BPM | ||
| Good Man | Lou Doillon | A Minor | 5 | 8A | 86 BPM | ||
| Fairy Tales | Cayetano | D Minor | 3 | 7A | 166 BPM | ||
| Who Will Follow Angelinia? | Philippe Cohen Solal, Mike Lindsay, Hannah Peel, Adam Glover | C Major | 5 | 8B | 130 BPM | ||
| Refugee | Oi Va Voi | E Minor | 7 | 9A | 130 BPM | ||
| Your Freedom Is the End of Me | Melanie De Biasio | A♭ Minor | 4 | 1A | 114 BPM | ||
| Bittersweet Fruit | Isaac Delusion | C Minor | 4 | 5A | 90 BPM |