"Delius: Irmelin Prelude" by Frederick Delius, Sir Thomas Beecham, Royal Philharmonic Orchestra had its release date on February 7, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 88 in the song's album "Sir Thomas Beecham: The English Collection". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Delius: Irmelin Prelude's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Delius: Irmelin Prelude by Frederick Delius, Sir Thomas Beecham, Royal Philharmonic Orchestra having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 1/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
| Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
| Oboe Concerto, Op. 20: II. Andante | Ruth Gipps, Juliana Koch, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 67 BPM | ||
| Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | ||
| Delius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Northern Sinfonia Of England, Richard Hickox | C Major | 7 | 8B | 139 BPM | ||
| Karadec Suite, Op. 34: II. Chanson | Vincent d'Indy, Malmö Symphony Orchestra, Darrell Ang | E♭ Major | 0 | 5B | 71 BPM | ||
| Sailing By | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | ||
| Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
| Erbarm dich mein, o Herre Gott, BWV 721 (Arr. S. Scheiwiller for Cello & Orchestra) | Johann Sebastian Bach, Simone Drescher, Sinfonietta Riga, Jānis Liepiņš | B Minor | 0 | 10A | 108 BPM | ||
| Romance for Violin and Piano, Op. 23 | Amy Beach, Esther Abrami, Iyad Sughayer | A Major | 2 | 11B | 87 BPM | ||
| Prince Igor: Polovtsian Dances (Version for Chorus) | Alexander Borodin, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 2 | 11B | 110 BPM | ||
| Lyric Suite, Op. 54: III. Notturno (Nocturne) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 0 | 8B | 118 BPM | ||
| Danzas fantasticas, Op. 22: Ensueno | Joaquín Turina, Orquesta Sinfónica de Castilla y León, Max Darman Bragado | G Major | 0 | 9B | 82 BPM | ||
| 4 Lyric Pieces, Op. 74: No. 2 Sanfter Westwind (Gentle West Wind) | Jean Sibelius, Håvard Gimse | F♯ Major | 0 | 2B | 78 BPM | ||
| Dvořák: 7 Gipsy Melodies, Op. 55, B. 104: No. 4, Als die alte Mutter (Transcr. for Trumpet and Orchestra) | Antonín Dvořák, Tine Thing Helseth, Eivind Aadland, Royal Liverpool Philharmonic Orchestra | D Major | 1 | 10B | 92 BPM | ||
| Romance | Gerald Finzi, Royal Ballet Sinfonia, David Lloyd-Jones | A♭ Major | 1 | 4B | 106 BPM | ||
| Stille Musik: III. Augenblicke der Serenade | Valentin Silvestrov | C Major | 0 | 8B | 86 BPM | ||
| Chopin - 6 Chants Polonais, S480/R145: No. 2. Fruhling(Wiosna, Spring) | Joseph Banowetz, Franz Liszt | G Major | 1 | 9B | 108 BPM | ||
| Symphony No. 3, "Pastoral Symphony": II. Lento moderato | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Minor | 0 | 6A | 88 BPM | ||
| A Song before Sunrise | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 2 | 4B | 125 BPM | ||
| Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
| Sicilienne (Arr. by Söllscher) | Maria Theresia von Paradis, Jian Wang, Göran Söllscher | F Major | 0 | 7B | 112 BPM | ||
| II. Passacaglia "Death of Falstaff" | William Walton, Michaela Rózsa Růžičková, Czech Symphony Orchestra | E Minor | 1 | 9A | 109 BPM | ||
| Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
| Five Bagatelles, Op. 23 - Arr. Ashmore, Dickson: 4. Forlana | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | F♯ Major | 1 | 2B | 103 BPM |