"Вальпургиева Ночь, "Фауст": Часть 1" by Гуно Шарль, Симфонический оркестр РГМЦ had its release date on February 9, 2015. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in Классическая Музыка - 100 Лучших Произведений, so we believe that "Вальпургиева Ночь, "Фауст": Часть 1" is a single. Вальпургиева Ночь, "Фауст": Часть 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Вальпургиева Ночь, "Фауст": Часть 1 by Гуно Шарль, Симфонический оркестр РГМЦ is Lento (slowly), since this song has a tempo of 52 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Snow White: XIV. Prince’s Cavalcade | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Nikolay Donskoy | G Major | 2 | 9B | 78 BPM | ||
| La Bayadere, Act I, Scene 1: 8. "Lead Fakir" | Evergreen Symphony Orchestra, Kevin Galiè | A Major | 0 | 11B | 115 BPM | ||
| Fata morgana, Op. 330: Polka Mazurka | Johann Strauss II, Rundfunkorchester des Südwestfunk, Klaus Arp | F Major | 1 | 7B | 112 BPM | ||
| Lyric Suite, Op. 54: III. Notturno (Nocturne): Andante | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | F Major | 0 | 7B | 82 BPM | ||
| Carmen Suite No. 2: IV. Chanson du toreador | Georges Bizet, Slovak Philharmonic, Anthony Bramall | F Major | 2 | 7B | 114 BPM | ||
| ムソルグスキー: オペラ《ホヴァンシチナ》 前奏曲 (モスクワ河の夜明け) | Modest Mussorgsky, モーシェ・アツモン, Tokyo Metropolitan Symphony | D♭ Minor | 0 | 12A | 68 BPM | ||
| Cosmic Serenade | Astrid Voix | D Minor | 2 | 7A | 119 BPM | ||
| Cinderella, Op. 87: Act I: No. 1. Introduction: Andante dolce | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra | D♭ Major | 1 | 3B | 114 BPM | ||
| VI. Waltz No. 1 | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 70 BPM | ||
| Symphony No.1 in E minor, Op.1: 4. Allegro assai | Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi | E Minor | 1 | 9A | 105 BPM | ||
| Giselle, Act II: No. 11, Apparition de Giselle | Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 82 BPM | ||
| Prince Igor: Polovtsian Dances (Remastered): No. 8, Dance of the Polovtsian Maidens | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 99 BPM | ||
| Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Molto vivace | Antonín Dvořák, Orquesta Reino de Aragón, Ricardo Casero | C Major | 3 | 8B | 75 BPM | ||
| Minkus: La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 13, Finale | Ludwig Minkus, Sydney Symphony Orchestra, John Lanchbery | A Major | 4 | 11B | 107 BPM | ||
| Swan Lake, Op. 20 - Mariinsky Version / Act 1: Scene 2: Scène (Allegro moderato - Moderato - Allegro vivo) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | G Major | 2 | 9B | 80 BPM | ||
| Spartacus, Act I: March of the gladiators and the Egyptian dancing girl (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | A Major | 1 | 11B | 62 BPM | ||
| La source, ou Naila: Suite No. 3: La Source: Intermezzo (Pas des Fleurs, Grande Valse) | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 0 | 11B | 125 BPM | ||
| Egmont, complete incidental music, Op. 84: ix. Melodrama: Poco sostenuto | Beethoven, Maurice Abravanel, Utah Symphony Orchestra, Netania Davrath, Walther Reyer | E Minor | 2 | 9A | 82 BPM | ||
| Aladdin Suite, Op. 34, FS 89: VII. Negro Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | B♭ Major | 3 | 6B | 157 BPM | ||
| Eugen Onegin: Polonaise | Rundfunkorchester Berlin, Heinz Fricke | G Major | 5 | 9B | 95 BPM | ||
| Symphonie fantastique, Op. 14: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Sofia Symphony Orchestra, Vassil Kazandjiev | A Major | 1 | 11B | 88 BPM | ||
| Vaughan Williams: The Wasps, an Aristophanic Suite: III. March-Past of the Kitchen Utensils | Ralph Vaughan Williams, Vernon Handley, London Philharmonic Orchestra | G Major | 0 | 9B | 82 BPM | ||
| The Red Poppy, Op. 70: V. Valse | Reinhold Glière, Sir Edward Downes, BBC Philharmonic | D Major | 1 | 10B | 163 BPM | ||
| Valse-Caprice in E-Flat Major | Alexander Dargomyzhsky, Yevgeny Svetlanov, USSR State Symphony Orchestra | E♭ Major | 3 | 5B | 124 BPM | ||
| Symphony in C Major, GB 115: IV. Allegro vivace | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | G Major | 1 | 9B | 137 BPM |