Karampal Sharma's ' "Apni Akal Paas" was released on its scheduled release date, January 1, 1970. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Karampal Sharma's "Lakhmichand Ki Ragni 11" album is number 1 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Apni Akal Paas is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Apni Akal Paas by Karampal Sharma to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sar Pe Tere Ahsan | Koshinder Khadana, Rishipal | A♭ Minor | 4 | 1A | 79 BPM | ||
| Elam Hunar Bin Bideya | Karampal Sharma | A Major | 5 | 11B | 126 BPM | ||
| Njanonnu Kannatte | Gireesh | B♭ Minor | 5 | 3A | 113 BPM | ||
| Thandina Mahinam | Vishal Thakare, Dipak More | B♭ Minor | 9 | 3A | 174 BPM | ||
| Choli Mein Rang Dalwale Patarki | Bharat Sharma Vyas | B♭ Major | 8 | 6B | 116 BPM | ||
| Cutu Cukalan | P.N. Lingaraju, Anasuya | E♭ Major | 8 | 5B | 124 BPM | ||
| Maheswari Jagar | Pritam Bhartwan | A♭ Minor | 8 | 1A | 118 BPM | ||
| Bigde Kam Bnade Baba Jotram | Sumit Kalanaur | B♭ Major | 8 | 6B | 148 BPM | ||
| Aaiye Aaiye Ho Balaji Ek Baar | Narender Kaushik | A Major | 10 | 11B | 116 BPM | ||
| Ma Bete Pe Julam | Karampal Sharma, Manju Sharma | E♭ Minor | 4 | 2A | 123 BPM | ||
| Gana Gantalla Ghanamaina Pujalu | Vadlakonda Anil Kumar | F♯ Major | 6 | 2B | 104 BPM | ||
| Pala Rangu | P.N. Lingaraju | D♭ Major | 9 | 3B | 150 BPM | ||
| Machli Machhandar Pakdi Mane | Bhagat Ramniwas Sunariya | D Major | 4 | 10B | 71 BPM | ||
| BINA BHAJAN KUN TIRIYA | Dhanabharti Ji | A♭ Major | 7 | 4B | 108 BPM | ||
| Kaha Khojat Fire | Samo Shastri | E♭ Major | 4 | 5B | 140 BPM | ||
| Apne Hatha Mar | Master Satbeer Singh | A♭ Major | 7 | 4B | 133 BPM | ||
| Saj Rahya Tha Nand Nandan Ka | Azad Singh Khandakhedi | A Major | 8 | 11B | 142 BPM | ||
| Sikhandrabad Competiton Part 3 | Karampal Sharma, Manju Sharma, Brahmapal Nagar, Koshinder Khadana, Rishipal, Sunita Panchal | F Major | 9 | 7B | 135 BPM | ||
| Niche Chale Tank Kairiyer Upar | Rajender Singh Kharkiya, Madhu Sharma | E Minor | 5 | 9A | 111 BPM | ||
| Sab Kahan Kahan Ke Yaar Hai | Master Satbir Singh | A♭ Major | 5 | 4B | 138 BPM | ||
| He Mahakalike Mate Bhuvaneshwari | SAI BODGESHWAR | F♯ Major | 5 | 2B | 98 BPM | ||
| मारवाड़ी देसी तंदूरा भजन | Marwadi Desi Kalakaar | D Major | 8 | 10B | 78 BPM | ||
| Nasho Chadi Gayo Re | Anandi Lal Bhawel | D♭ Minor | 9 | 12A | 96 BPM | ||
| Teen Vachan Bhar Le Piya | Preeti Choudhary Jhunjhunu | G Major | 4 | 9B | 128 BPM | ||
| করেছিলাম তোমারই জন্য | Swapnil Chatterjee, Swapnil Chattejee | E Minor | 5 | 9A | 123 BPM |