Ricks College Collegiate Singers & Chamber Orchestra, Kevin Call's 'A Poor Wayfaring Man of Grief' had a release date set for 2002. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Three Sacred Works". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, A Poor Wayfaring Man of Grief's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A Poor Wayfaring Man of Grief by Ricks College Collegiate Singers & Chamber Orchestra, Kevin Call having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Come, Thou Almighty King/Immortal, Invisable/How Great Thou Art (Medley) | London Festival Orchestra, The Thomas/Cumberland Choir | F Major | 2 | 7B | 85 BPM | ||
| Apotheosis: A Glorification | Ricks College Collegiate Singers & Chamber Orchestra, Kevin Call | D Major | 3 | 10B | 75 BPM | ||
| Variant on Benedictus | Dan Forrest, Jeff Lippencott, Various Artists, Northwest Sinfonia Orchestra | F Major | 1 | 7B | 86 BPM | ||
| Behold, the Tabernacle of God | John Rutter, The Cambridge Singers, City of London Sinfonia | F Major | 3 | 7B | 77 BPM | ||
| And Can It Be? | Dan Forrest, Beckenhorst Singers | E♭ Major | 2 | 5B | 74 BPM | ||
| Sunday | Bernadette Peters, Sondheim: A Celebration at Carnegie Hall Ensemble (1992) | G Major | 1 | 9B | 59 BPM | ||
| Carmina Burana / 3. Cour d'amours: "Veni, veni, venias" | Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | D Minor | 6 | 7A | 154 BPM | ||
| Mahler: Symphony No. 2 in C Minor "Resurrection": V. (f) Etwas bewegter. "O glaube, mein Herz !" | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker, Kate Royal, Magdalena Kožená, Rundfunkchor Berlin | F Minor | 0 | 4A | 145 BPM | ||
| The Armed Man - A Mass For Peace: I. The Armed Man | Karl Jenkins, Mike Brewer, London Philharmonic Orchestra | G Major | 3 | 9B | 65 BPM | ||
| I Stand All Amazed | Millennial Choirs & Orchestras, Brett Stewart, Brandon Stewart, Cory Mendenhall, Brent Wells, Joni Jensen, Jenny Oaks Baker | D♭ Major | 2 | 3B | 83 BPM | ||
| Earth Song | Frank Ticheli, Pacific Chorale, John Alexander | F Major | 1 | 7B | 62 BPM | ||
| Abide With Me | Pam Rhodes | B♭ Major | 3 | 6B | 140 BPM | ||
| Schlusslied: Das isch de Schtärn vo Bethlemen | Paul Burkhard, Kinder der Schule Hinwil, Junge Kirche Hinwil Bläserensemble, Werner Heer, René Kiener | F Major | 2 | 7B | 83 BPM | ||
| I’ll Be On My Way | Shawn Kirchner, Santa Fe Desert Chorale, Joshua Habermann, Jeff Lankov | G Major | 1 | 9B | 167 BPM | ||
| A Mighty Fortress | Brett Stewart, Brandon Stewart, Martin Luther, Millennial Choirs & Orchestras | D Major | 4 | 10B | 117 BPM | ||
| Flight Song | The Master Chorale of Tampa Bay, James K. Bass | D♭ Major | 1 | 3B | 66 BPM | ||
| In Remembrance | Catholic Central Concert Choir | B♭ Major | 1 | 6B | 62 BPM | ||
| West Hills III | The Killers | G Major | 5 | 9B | 105 BPM | ||
| Come, O Lamb of God | Jeff Lippencott, Various Artists, Northwest Sinfonia Orchestra | A Major | 2 | 11B | 80 BPM | ||
| Like A River Glorious - 32 Great Hymns Of The Faith Album Version | London Festival Orchestra, The Thomas/Cumberland Choir | F Major | 2 | 7B | 92 BPM | ||
| Soon We Will Be Done | Eastern Michigan University Choir | A Major | 1 | 11B | 107 BPM | ||
| Vale Decem | Murray Gold | F♯ Major | 4 | 2B | 69 BPM | ||
| Jesu, Son Most Sweet and Dear, from Anniversary Carols | Jackson Berkey, Soli Deo Gloria Cantorum, Almeda Berkey (Director) | A♭ Major | 1 | 4B | 112 BPM | ||
| Thy Word Is A Lamp Unto My Feet | Choir of the New Apostolic Church, Cape Town | E♭ Major | 2 | 5B | 64 BPM | ||
| Doña Francisquita: Coro de Románticos | Amadeo Vives, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà, Coro Polifonico De La Universidad De La Laguna | E♭ Major | 1 | 5B | 101 BPM |