"Apotheosis: A Glorification" by Ricks College Collegiate Singers & Chamber Orchestra, Kevin Call had its release date on 2002. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Three Sacred Works". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United States. Apotheosis: A Glorification is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Apotheosis: A Glorification by Ricks College Collegiate Singers & Chamber Orchestra, Kevin Call having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gloria, FP 177: V. Domine Deus, agnus Dei | Francis Poulenc, Stephen Layton, Susan Gritton, Polyphony, The Choir Of Trinity College, Cambridge, Britten Sinfonia | D Minor | 3 | 7A | 134 BPM | ||
| Pheasants' Chorus (I Pagliacci) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | C Major | 1 | 8B | 117 BPM | ||
| Liberation: Exsultate Justi | John Williams | A Major | 1 | 11B | 104 BPM | ||
| Jerusalem | Hubert Parry, London Philharmonic Choir, London Philharmonic Orchestra, Sir Roger Norrington | D Major | 2 | 10B | 94 BPM | ||
| For The Beauty Of The Earth/Come, Ye Thankful People/Come, Christians Join To Sing | 32 Great Hymns Of Faith Performers | A Major | 4 | 11B | 111 BPM | ||
| Ye Watchers and Ye Holy Ones | Traditional, GIA Singers, Kelly Dobbs Mickus | G Major | 1 | 9B | 84 BPM | ||
| This Little Babe | Benjamin Britten, Choirs of Fairlawn Avenue United Church, Eleanor Daley | E♭ Minor | 2 | 2A | 73 BPM | ||
| God Wouldn't Bring You This Far to Leave You | Beckenhorst Singers, Craig Courtney, Dan Forrest | C Major | 2 | 8B | 108 BPM | ||
| The Dream of Gerontius, Op. 38, Part II: No. 10, Praise to the Holiest in the height (Choir of Angelicals) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Allan Clayton, Jamie Barton, London Philharmonic Choir | D Major | 2 | 10B | 86 BPM | ||
| Psalm 23 The Lord Is My Shepherd | Howard Goodall, Laura Wright, The Enchanted Voices, Howard Goodall Chamber Orchestra | D Minor | 1 | 7A | 171 BPM | ||
| Thou Must Leave Thy Lowly Dwelling | The Shorter Chorale, Patrick Harvey, Martha Shaw | E Major | 0 | 12B | 82 BPM | ||
| Sunrise, Sunset | The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Craig Jessop | A Major | 1 | 11B | 80 BPM | ||
| Alexander Nevsky, Op. 78: II. Song About Alexander Nevsky | Sergei Prokofiev, London Symphony Orchestra, Claudio Abbado, London Symphony Chorus | B♭ Major | 0 | 6B | 97 BPM | ||
| Nunc dimittis in C | Charles Villiers Stanford, The King's Consort, Robert King | B♭ Major | 1 | 6B | 82 BPM | ||
| Jesus, My Savior | Rob Gardner, London Symphony Orchestra, Spire Chorus | A♭ Major | 1 | 4B | 84 BPM | ||
| Eternal Light: A Requiem (2008): Revelation: Factum est silentium | Howard Goodall, Stephen Darlington, London Musici | C Minor | 2 | 5A | 142 BPM | ||
| I Stand All Amazed | Millennial Choirs & Orchestras, Brett Stewart, Brandon Stewart, Cory Mendenhall, Brent Wells, Joni Jensen, Jenny Oaks Baker | D♭ Major | 2 | 3B | 83 BPM | ||
| Schlusslied: Das isch de Schtärn vo Bethlemen | Paul Burkhard, Kinder der Schule Hinwil, Junge Kirche Hinwil Bläserensemble, Werner Heer, René Kiener | F Major | 2 | 7B | 83 BPM | ||
| Abide With Me | Pam Rhodes | B♭ Major | 3 | 6B | 140 BPM | ||
| Hallelujah Chorus from Handel's Messiah | The Black Dyke Mills Band | D♭ Major | 4 | 3B | 101 BPM | ||
| Praise God from Whom All Blessings Flow | Concordia Sacrae | F♯ Major | 2 | 2B | 92 BPM | ||
| Mahler: Symphony No. 2 in C Minor "Resurrection": V. (f) Etwas bewegter. "O glaube, mein Herz !" | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker, Kate Royal, Magdalena Kožená, Rundfunkchor Berlin | F Minor | 0 | 4A | 145 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 1: V. Proficiscere, anima Christiana – Go, in the name of Angels and Archangels | Edward Elgar, Roland Wood, Huddersfield Choral Society, RNCM Chamber Choir, The Orchestra Of Opera North, Martyn Brabbins | D Major | 2 | 10B | 140 BPM | ||
| Sing Gently | Eric Whitacre, Virtual Choir 6, Sam Glicklich | G Major | 2 | 9B | 75 BPM | ||
| O For a Thousand Tongues to Sing | The Celebration Choir, The Majesty And Glory Performers, Blessed Assurance Favorite Hymns Of Inspiration And Hope Performers, Classic Choral Hymns Ensemble | D Major | 1 | 10B | 167 BPM |