Billie Holiday's ' "Lover, Come Back To Me" was released on its scheduled release date, February 10, 2014. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Billie Holiday's "Grandes del Jazz" album is number 34 out of 40. On top of that, Colombia appears to be the country where this track was created. Based on our statistics, Lover, Come Back To Me's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Lover, Come Back To Me by Billie Holiday to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jive At Six | Ben Webster | D Major | 4 | 10B | 171 BPM | ||
| They Can't Take That Away From Me | Fred Astaire | E Minor | 0 | 9A | 68 BPM | ||
| Begin the Beguine | Artie Shaw | G Major | 2 | 9B | 141 BPM | ||
| In the Night | Dakota Staton | F♯ Minor | 2 | 11A | 78 BPM | ||
| Don't Let The Sun Catch You Cryin' | Louis Jordan | G Minor | 1 | 6A | 86 BPM | ||
| I've Grown Accustomed To Your Face | Annie Ross, Gerry Mulligan Quartet | A♭ Major | 1 | 4B | 121 BPM | ||
| You've Got That Thing | Bobby Short | B♭ Major | 4 | 6B | 151 BPM | ||
| Wasting My Love on You | Annette Hanshaw | B♭ Minor | 1 | 3A | 52 BPM | ||
| I Didn't Know What Time It Was | Cécile McLorin Salvant | G Minor | 2 | 6A | 108 BPM | ||
| Let There Be Love | Annie Ross, Gerry Mulligan Quartet | A♭ Major | 2 | 4B | 119 BPM | ||
| Autumn In New York | Billie Holiday | B♭ Minor | 1 | 3A | 72 BPM | ||
| Mood Indigo | Ella Fitzgerald, Oscar Peterson | B♭ Major | 1 | 6B | 116 BPM | ||
| Star Dust | Artie Shaw | F Major | 3 | 7B | 85 BPM | ||
| Bei Mir Bist Du Schoen | Ella Fitzgerald and Her Savoy Eight | C Minor | 2 | 5A | 175 BPM | ||
| What A Little Moonlight Can Do | Billie Holiday With Teddy Wilson & His Orchestra | G Major | 3 | 9B | 135 BPM | ||
| Sweet Jazz Music | Jelly Roll Morton | B♭ Major | 2 | 6B | 86 BPM | ||
| Don't Sit Under the Apple Tree | Glenn Miller | G Major | 2 | 9B | 180 BPM | ||
| Every Time We Say Goodbye | Benny Goodman | A♭ Major | 1 | 4B | 84 BPM | ||
| Prove It on Me Blues | Ma Rainey | F Major | 2 | 7B | 102 BPM | ||
| I Didn't Know What Time It Was | Lester Young | F Major | 3 | 7B | 130 BPM | ||
| Night And Day | Billie Holiday | A♭ Major | 2 | 4B | 97 BPM | ||
| Shine On, Harvest Moon | Ruth Etting | F Major | 2 | 7B | 102 BPM | ||
| Is You Is Or Is You Ain't (My Baby) | Louis Jordan & His Tympany Five | A♭ Major | 1 | 4B | 139 BPM | ||
| A Cigarette and a Silhouette | Mildred Bailey | F Major | 2 | 7B | 102 BPM | ||
| Nice Work If You Can Get It | Mael Tormé, The Marty Paich Dek-tette | C Minor | 2 | 5A | 76 BPM |