Dear Whoever's ' "A Place For the End" was released on its scheduled release date, January 3, 2006. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 7 in the song's album "Sound The Trumpet". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, A Place For the End is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With A Place For the End by Dear Whoever having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Monster Eats the Pilot | Goodbye Soundscape | E Minor | 9 | 9A | 104 BPM | ||
| Prelude | An Evening At Elmwood | D Major | 4 | 10B | 80 BPM | ||
| Great White Zombie | Versus The Mirror | A Minor | 9 | 8A | 143 BPM | ||
| When Angels Bite Their Tongues | April's Love Affair | C Major | 5 | 8B | 178 BPM | ||
| Rooftop Junkies | Ghost Runner On Third | A Major | 4 | 11B | 140 BPM | ||
| This Is San Diego | death in december | A♭ Major | 9 | 4B | 178 BPM | ||
| Over | Lostfoundbroken | F Minor | 7 | 4A | 100 BPM | ||
| A Place For the End | Dear Whoever | B♭ Minor | 6 | 3A | 116 BPM | ||
| I Hate You Tenessee | Grace Gale | C Minor | 3 | 5A | 115 BPM | ||
| The Exact Opposite Of Breathing | All Falls Aside | A♭ Major | 8 | 4B | 172 BPM | ||
| Crime Against the County | The February Heartache | G Major | 8 | 9B | 139 BPM | ||
| Oh Baby, Pretty Like A Car Crash | Forever Is Forgotten | D♭ Major | 9 | 3B | 103 BPM | ||
| 6-8-44 | Unwanted Superheroes | E♭ Major | 1 | 5B | 70 BPM | ||
| That Champagne Feeling | Vanna | F Major | 10 | 7B | 125 BPM | ||
| Why Chris Carries a Knife | April's Love Affair | D Major | 8 | 10B | 96 BPM | ||
| We Interrupt This Broadcast... | Darling You Should Be Ashamed | E Minor | 10 | 9A | 138 BPM | ||
| A Flick of the Wrist (And a Pull of the Trigger) | He Said She's Dead | E Major | 10 | 12B | 102 BPM | ||
| When Your Heart Stops Beating | Deadbeat Nightlife | C Minor | 9 | 5A | 110 BPM | ||
| And Still You Chose Surrender | A Bullet for Pretty Boy | A♭ Major | 3 | 4B | 137 BPM | ||
| Ambivalence | Upon Beauty Rests | E♭ Major | 5 | 5B | 127 BPM | ||
| Bulls Have Horns | Chiodos | D♭ Minor | 7 | 12A | 99 BPM | ||
| Tempus Vincit Omnia | Hopes Die Last | G Major | 8 | 9B | 185 BPM | ||
| Love Letters Lie | Not For Now | D Major | 10 | 10B | 137 BPM | ||
| Bitter Sweet Suicide | Deadbeat Nightlife | G Major | 10 | 9B | 180 BPM | ||
| Eris Doesn't Want Precipitate | Know Margaret | B Minor | 7 | 10A | 180 BPM |