- BPM
- 94
- Key
- F♯ Minor
- Camelot
- 11A
Nouvelles Suites de Pièces de Clavecin by Jean-Philippe Rameau, Trevor Pinnock Song Details
On June 4, 2006, the song "Nouvelles Suites de Pièces de Clavecin" was released by Jean-Philippe Rameau, Trevor Pinnock. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Rameau: Les Cyclopes". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Nouvelles Suites de Pièces de Clavecin is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
BPM and Tempo
With Nouvelles Suites de Pièces de Clavecin by Jean-Philippe Rameau, Trevor Pinnock having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 3%
- Loudness
- -12.103 dB
- Acousticness
- 47%
- Danceability
- 36%
- Energy
- 75%
- Instrumentalness
- 44%
- Liveness
- 22%
- Loudness
- 80%
- Speechiness
- 3%
- Valence
- 94%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Violin Concerto in B-Flat Major, Op. 10 No. 1: I. Allegro | Jean-Marie Leclair, Leila Schayegh, La Cetra Barockorchester Basel | A Major | 1 | 11B | 100 BPM | |
 | Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | |
 | Sonata No. 13, Hob. XVI:6: III. Adagio | Joseph Haydn, Jean-Efflam Bavouzet | B♭ Major | 0 | 6B | 75 BPM | |
 | Oboe Concerto in D Minor, S. Z799: II. Adagio | Alessandro Marcello, Jozef Cejka, Capella Istropolitana, Richard Edlinger | B Minor | 4 | 10A | 116 BPM | |
 | Variations on La Folia | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | B Major | 1 | 1B | 131 BPM | |
 | Satie: Gnossiennes: IV. Lent | Erik Satie, Hélène Grimaud | C Major | 0 | 8B | 96 BPM | |
 | Cello Concerto in C, H.VIIb, No.1: 2. Adagio | Joseph Haydn, Jian Wang, Orquestra Gulbenkian, Muhai Tang | F Major | 1 | 7B | 96 BPM | |
 | Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | |
 | Symphony No. 3 in C Major, Op. 2, "the Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 82 BPM | |
 | Monteverdi: Sì dolce è'l tormento, SV 332 (Arr. Diluka for Piano) | Claudio Monteverdi, Shani Diluka | D Minor | 0 | 7A | 134 BPM | |
| Symphony No. 1 in B-Flat Major, Op. 2: I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM | |
 | Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti | B♭ Major | 2 | 6B | 72 BPM | |
 | Oboe Concerto in G Minor: Allegro | Giovanni Benedetto Platti, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 2 | 6A | 104 BPM | |
 | Dido & Aeneas, Z. 626: When I Am Laid in Earth "Dido's Lament" (Transcr. L. Stokowski) | Henry Purcell, Timothy Walden, Bournemouth Symphony Orchestra, José Serebrier | E Major | 0 | 12B | 76 BPM | |
 | Massenet: 10 Pièces de genre, Op. 10: No. 5, Mélodie "Élégie" | Jules Massenet, Shani Diluka | F Major | 2 | 7B | 123 BPM | |
 | Suite en ré: Les niais de Sologne | Jean-Philippe Rameau, Natacha Kudritskaya | E Major | 2 | 12B | 103 BPM | |
 | Sicilienne, Op. 78 | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F♯ Minor | 1 | 11A | 148 BPM | |
 | Les tendres plaintes | Jean-Philippe Rameau, Víkingur Ólafsson | D Minor | 0 | 7A | 110 BPM | |
 | Sinfonia in D Minor, Fk. 65: I. Adagio | Wilhelm Friedemann Bach, Il Pomo D'oro, Francesco Corti | D♭ Minor | 0 | 12A | 86 BPM | |
 | String Quartet No. 12 in F major, Op. 96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | |
 | Introduttione II in F Major, Op. 4 No. 2: II. Andante | Pietro Locatelli, Fabio Biondi, Europa Galante | A♭ Major | 1 | 4B | 123 BPM | |
 | I. Prélude. Andantino | César Franck, Jean-Pierre Armengaud | D Major | 0 | 10B | 66 BPM | |
 | Concerto in D Minor for Oboe, Strings and Continuo: II. Adagio | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea Mion | D♭ Minor | 1 | 12A | 68 BPM | |
 | Concerto Grosso No. 3 in F Major: IV. Largo | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 168 BPM | |
 | Passacaglia | Silvius Leopold Weiss, Miloš Karadaglić | D Major | 1 | 10B | 86 BPM |
- ISRC
- GBELX0501182
- Label
- L-M Records/RCA Records