"Anathemata" by Max Richter had its release date on 2015. With This song being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Testament Of Youth (Original Soundtrack Album)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Anathemata is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Anathemata by Max Richter having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Brideshead Revisited: No. 9, Faith | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | A Minor | 1 | 8A | 75 BPM | ||
| Sabine | Peter Gregson | C Minor | 0 | 5A | 90 BPM | ||
| I will not forget you | Max Richter | C Major | 1 | 8B | 77 BPM | ||
| You Have The True Spirit of A Lady | Steven Price | B♭ Minor | 1 | 3A | 90 BPM | ||
| Snowdrop | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 1 | 8B | 83 BPM | ||
| Petricor | Ludovico Einaudi, Daniel Hope | G Major | 3 | 9B | 108 BPM | ||
| Dangerous Territory | Clint Mansell | C Major | 0 | 8B | 100 BPM | ||
| Exodus | The Cinematic Orchestra, London Metropolitan Orchestra | F♯ Minor | 1 | 11A | 110 BPM | ||
| An Ideal Marriage | The Chamber Orchestra Of London | G Minor | 2 | 6A | 107 BPM | ||
| Action at a distance | Max Richter | F Minor | 1 | 4A | 67 BPM | ||
| Kite | Coby Brown | B Minor | 1 | 10A | 144 BPM | ||
| Jupiter Ascending: 4th Movement | Michael Giacchino | E Minor | 8 | 9A | 88 BPM | ||
| Dying Soul | Antonio Pinto | A♭ Minor | 3 | 1A | 100 BPM | ||
| The Great Misunderstanding | Craig Armstrong | D♭ Minor | 0 | 12A | 88 BPM | ||
| Danny | Ólafur Arnalds | G Minor | 0 | 6A | 110 BPM | ||
| Chat With Brenda | John Paesano | A Minor | 0 | 8A | 75 BPM | ||
| Two Loves | Alan Silvestri | G Minor | 0 | 6A | 129 BPM | ||
| A Car Accident | Bear McCreary | C Major | 2 | 8B | 170 BPM | ||
| At Eternity's Gate | Clint Mansell | A Minor | 1 | 8A | 84 BPM | ||
| Sorrow Atoms | Max Richter | E Major | 3 | 12B | 80 BPM | ||
| J'accuse | David Buckley | F Minor | 0 | 4A | 100 BPM | ||
| Lake Baikal | Burkhard Dallwitz | F Minor | 7 | 4A | 92 BPM | ||
| Eliza's Theme | John Debney | D♭ Major | 2 | 3B | 160 BPM | ||
| In the Beginning | Sean Redmond | C Major | 2 | 8B | 92 BPM | ||
| Next To My Diary | Ria Mbanefo | B♭ Major | 3 | 6B | 85 BPM |