Note's ' "Burn" was released on its scheduled release date, January 1, 2008. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Burn's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Note's "It's Always Sunny In Cleveland" album is number 4 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, Burn is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Burn by Note to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Monte Carmelo: "Habanera" | Federico Romero, Guillermo Fdez. Shaw, Federico Moreno Torroba, Pepita Rollán, Gran Orquest Sinfónica del Teatro Calderón de Madrid | E♭ Major | 4 | 5B | 172 BPM | ||
| Lasciami cantare una canzone | Leo Nucci, Salotto Ottocento Ensemble | D Major | 2 | 10B | 94 BPM | ||
| Lonxe d'A Terriña - Remastered | Antonio Campó, Coro Cantores de Madrid, Orquesta de Conciertos de Madrid, Jose Perera, Julian Perera, Victoriano Echevarría | D♭ Major | 3 | 3B | 105 BPM | ||
| Ensaio Regional Portão Ccb - Hino 322 Vem Rei Eterno | Hinário CCB Orquestra | G Major | 0 | 9B | 81 BPM | ||
| All Around My Steppe | The Red Army Choir | D Major | 1 | 10B | 137 BPM | ||
| Impatiently Waiting | Kash Suave, Note | A♭ Minor | 6 | 1A | 144 BPM | ||
| Gounod: Faust, CG 4, Act 1 Scene 2: No. 4, Duo, (b) "A moi les plaisirs" (Faust, Méphistophélès) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| La Verbena de la Paloma, Act I: Nocturno (Sereno, Guardia 1, Guardia 2) | Tomás Bretón, Enrique Baquerizo, Juan Jesùs Rodriguez, Alberto Rios, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | C Major | 1 | 8B | 83 BPM | ||
| It's Time for Every Boy to Be a Soldier | Charles H. Hart | A♭ Major | 2 | 4B | 115 BPM | ||
| Weit Ist Der Weg Zurück Ins Heimatland | Franz Baumann, Orchester Ilja livschakoff | B♭ Major | 3 | 6B | 122 BPM | ||
| L'elisir d'amore / Act I: "Che vuol dire codesta suonata?" | Gaetano Donizetti, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A Major | 2 | 11B | 118 BPM | ||
| La fille du régiment / Act 1: Au bruit de la guerre | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 120 BPM | ||
| Indian Sausages | Note | F♯ Major | 9 | 2B | 151 BPM | ||
| Bizet: Les pêcheurs de perles, Act 1: "Amis, interrompez vos danses et vos jeux" (Zurga, Chœur, Nadir) | Georges Bizet, Pierre Dervaux, Chœur du Théâtre National de l’Opéra-Comique, Ernest Blanc, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | A♭ Major | 2 | 4B | 101 BPM | ||
| Ariane et Barbe-bleue, Act I: A mort! A mort! - L'avezvous vue dans le carrosse? (Voices of the Crowd, Single Voices) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | E Major | 0 | 12B | 87 BPM | ||
| Ensaio Regional Portão Ccb - Hino 180 Se Muitos Soubessem | Hinário CCB Orquestra | E♭ Major | 4 | 5B | 83 BPM | ||
| Tankmen´s March (From "Tractor Drivers") | Petr Kirichek, David Ritsner | C Minor | 5 | 5A | 120 BPM | ||
| La bandiera dei tre colori | Banda Militare E Coro | F Major | 5 | 7B | 114 BPM | ||
| Adieu Vieille Europe | Musique Principale De La Légion Étrangère | C Minor | 1 | 5A | 82 BPM | ||
| Cavalleria rusticana - The Green Meadows Are Fragrant with Oranges | Pietro Mascagni, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin, Otmar Suitner | B Major | 2 | 1B | 63 BPM | ||
| Sinfonía | Francisco Asenjo Barbieri, Filarmónica Beethoven Campo de Criptana, Juan José Fernández Olivares | E Minor | 4 | 9A | 83 BPM | ||
| Rossini: Guillaume Tell, Act 1 Scene 2: "Près des torrents qui grondent" (Melchthal, Guillaume, Jemmy, Hedwige, Arnold, Ruodi, Chorus) | Gioachino Rossini, Marie-Nicole Lemieux, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 7 | 9B | 78 BPM | ||
| Als flotter Geist – Ja, das alles auf Ehr' (aus "Der Zigeunerbaron") | Rudolf Schock | B Major | 2 | 1B | 60 BPM | ||
| Wagner: Tannhäuser, Act 2: "O Himmel! Laß dich jetzt erflehen!" (Wolfram, Tannhäuser) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Peter Seiffert, Staatskapelle Berlin, Thomas Hampson | A Minor | 1 | 8A | 99 BPM | ||
| Orff: Carmina Burana, Pt. 2, In Taberna: In taberna quando sumus | Carl Orff, Sir Simon Rattle, Rundfunkchor Berlin, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM |