"Joonas, Scene 2: Nii kui Joonas kord kolm päeva (Chorus)" by Rudolf Tobias, Tallinn Chamber Orchestra, Tõnu Kaljuste, Chorus Mysticus had its release date on November 7, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 25 in the song's album "Tobias: Joonas". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Finland. In terms of popularity, Joonas, Scene 2: Nii kui Joonas kord kolm päeva (Chorus) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Joonas, Scene 2: Nii kui Joonas kord kolm päeva (Chorus) by Rudolf Tobias, Tallinn Chamber Orchestra, Tõnu Kaljuste, Chorus Mysticus having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jerusalem: Mass in D Major "Polychoral": I. Kyrie | Ignacio de Jerúsalem, Chanticleer, Joseph Jennings, Chanticleer Sinfonia | B Major | 2 | 1B | 84 BPM | ||
| A Little Childe There Is Ibore | Jane M. Joseph, Blossom Street, Anna Lapwood, Hilary Campbell | C Minor | 1 | 5A | 71 BPM | ||
| Petite messe solennelle, Credo: XII. Et resurrexit | Gioachino Rossini, Krassimira Stoyanova, Birgit Remmert, Steve Davislim, Hanno Müller-Brachmann, RIAS Kammerchor, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | E Major | 1 | 12B | 130 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act 1: "Whence Could so Much Virtue Spring" (Dido, Belinda) | Henry Purcell, Maxim Emelyanychev, Fatma Said, Il Pomo D'oro, Joyce DiDonato | G Minor | 2 | 6A | 104 BPM | ||
| Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Kyrie - Adagio | American Bach Soloists | B♭ Major | 1 | 6B | 104 BPM | ||
| Stabat Mater, FP 148: IX. Sancta mater, istud agas | Francis Poulenc, Cappella Amsterdam, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra, Daniel Reuss | B♭ Minor | 2 | 3A | 89 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Accende lumen sensibus | Gustav Mahler, Barbara Kubiak, Izabella Kłosińska, Jadwiga Rappe, Ewa Marciniec, Timothy Bentch, Wojtek Drabowicz, Piotr Nowacki, Warsaw Philharmonic Choir, Polish Radio Choir, Cardinal Stefan Wyszynski University Choir, Warsaw Boys Choir, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 2 | 4B | 85 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Infirma nostri corporis | Gustav Mahler, Barbara Kubiak, Izabella Kłosińska, Jadwiga Rappe, Ewa Marciniec, Timothy Bentch, Wojtek Drabowicz, Piotr Nowacki, Warsaw Philharmonic Orchestra, Antoni Wit | F Major | 2 | 7B | 96 BPM | ||
| Litanie Lauretanae | Bohuslav Matěj Černohorský, Milada Čechalová-Jirglová, Marie Mrazova, Jiri Langmajer, Jiří Bíba, Prague Madrigal Singers and Orchestra, Svatopluk Jányš | F Major | 1 | 7B | 88 BPM | ||
| Requiem in C Minor, MH 155 "Pro defuncto Archiepiscopo Sigismundo": II. Sequentia. Dies irae | Michael Haydn, Julia Doyle, Kate Symonds-Joy, James robinson, Malachy Frame, Choir of Gonville & Caius College, Cambridge, Academy of Ancient Music, Matthew Martin | C Minor | 2 | 5A | 113 BPM | ||
| Diporte di Euterpe, Op. 7: No. 5, Lagrime mie - Lamento | Barbara Strozzi, Laura Catrani, Accademia dell'Annunciata, Riccardo Doni | F♯ Minor | 1 | 11A | 167 BPM | ||
| Messe F-Moll, WAB 28: I. Kyrie | Anton Bruckner, Hans-Jörg Mammel, Philippe Herreweghe, Joseph Moor, Ingela Bohlin, Alfred Reiter, RIAS Kammerchor, Ingeborg Danz | G Major | 1 | 9B | 81 BPM | ||
| 12 Choralvorspiele: No. 5, Mit Fried und Freud' fuhr' ich dahin | Rudolf Tobias, Ines Maidre | E Minor | 0 | 9A | 73 BPM | ||
| Des Jona Sendung (Jonah's Mission): Herr Gott. Des die Rache, die Rache ist [Psalm of Vengeance] [Altos and Children's Chorus] | Rudolf Tobias, Pille Lill, Urve Tauts, Peter Svensson, Mati Palm, Ines Maidre, Oratorio Choir, Tallinn Boys Choir, Estonian Philharmonic Chamber Choir, Estonian State Symphony Orchestra, Neeme Järvi | F♯ Minor | 0 | 11A | 87 BPM | ||
| Mass in D Major, Op. 86, B. 175: I. Kyrie. Andante con moto | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Marcela Machotkova, Stanislava Škatulová, Oldrich Lindauer, Dalibor Jedlicka | D Major | 2 | 10B | 169 BPM | ||
| Petite messe solennelle, Credo: X. Credo in unum Deum | Gioachino Rossini, Krassimira Stoyanova, Birgit Remmert, Steve Davislim, Hanno Müller-Brachmann, RIAS Kammerchor, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | B Major | 1 | 1B | 131 BPM | ||
| Die Jahreszeiten, Hob. XXI:3, Der Frühling: IIIb. Arie: Schon eilet froh der Akkermann (Simon) | Joseph Haydn, Gottfried van Swieten, Jordi Savall, Matthias Winckhler, Le Concert Des Nations | C Major | 1 | 8B | 170 BPM | ||
| Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Credo: Et resurrexit | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 3 | 10B | 121 BPM | ||
| Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": I. Kyrie | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM | ||
| Paulus: I. Teil: Nr. 12 Rezitativ & Arioso A "Und zog mit einer Schaar gen Damaskus" | Felix Mendelssohn, Annette Markert, Philippe Herreweghe | E♭ Minor | 1 | 2A | 125 BPM | ||
| Orphée et Eurydice, Wq. 41 (Paris Version), Acte I Scène 1: Chœur. Ah ! Dans ce bois tranquille et sombre | Christoph Willibald Gluck, Les Arts Florissants, Paul Agnew | C Major | 3 | 8B | 71 BPM | ||
| Petite messe solennelle: XI. Credo. Credo in unum Deum | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
| Requiem in C Minor: III. Dies irae | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | C Minor | 1 | 5A | 85 BPM | ||
| Catone in Utica, Act II: Se in campo armato | Leonardo Vinci, Simone Kermes, Warsaw Chamber Opera Orchestra, Julien Salemkour | F♯ Minor | 1 | 11A | 167 BPM | ||
| Dixit Dominus, ZWV 66: De torrente - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Ensemble Inégal, Prague Baroque Solists | A Minor | 2 | 8A | 127 BPM |