On March 20, 2007, the song "Nainan Mein Shyam Samae" was released by Baba Rasika Pagal. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Radha Rasik Bihari Vol-1". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. Nainan Mein Shyam Samae is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Nainan Mein Shyam Samae by Baba Rasika Pagal having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Neelkanth Mandir Mein Bhole | Pt. Ram Avtar Sharma, Rajneesh Sharma, Shivani Chanana | B Major | 9 | 1B | 126 BPM | ||
| Daya Thodi Si Kardo Na | Sonu Bishnoi | F♯ Major | 7 | 2B | 79 BPM | ||
| Ab Sop Diya Is Jeevan Ka Sab Bhar Tumhare Hathon Mein | Padma Jha | D♭ Major | 5 | 3B | 95 BPM | ||
| करुणा करो कष्ट हरो ज्ञान दो भगवन। | Mahesh Hiremath | A♭ Minor | 4 | 1A | 138 BPM | ||
| Baanke Bihari Tere Nayna Kajraare | Bhaiya Krishan Das Ji | A♭ Major | 8 | 4B | 82 BPM | ||
| Kankariya Se Matki | Ram Kumar Lakha | A Major | 8 | 11B | 108 BPM | ||
| Pathhar Ki Radha Pyaari | Manoj Sharma Gwalior | C Minor | 9 | 5A | 99 BPM | ||
| Teri Galiyon Ka Hoon Aashiq | Bhagwat Suthar | A♭ Minor | 5 | 1A | 95 BPM | ||
| Jaagi Jaagi Diwla Ri Jyota Jagi Maa | Shyam Paliwal | A♭ Major | 8 | 4B | 100 BPM | ||
| Tumso Sunder Shyam Na Koi | Rahul Savera | B♭ Minor | 9 | 3A | 140 BPM | ||
| Bhiksha Dene Maiya | Lalita Ghodadra, Raghuveer Kunchala, Mathur Kanjariya, Suresh Raval, Dipak Joshi | A♭ Major | 6 | 4B | 74 BPM | ||
| Ban Titli Main Udati Fira | Chitra Vichitra Ji | D♭ Minor | 5 | 12A | 94 BPM | ||
| Meli De Manva Mara Mara | Mathurbhai Kanjariya | E♭ Major | 6 | 5B | 121 BPM | ||
| Chalo Ji Chalo Vrindavan | Baba Rasika Pagal, Chitra Vichitra | A♭ Major | 9 | 4B | 142 BPM | ||
| RADHA DHUNDH RAHI | Nidhi Dholkiya | F Minor | 7 | 4A | 174 BPM | ||
| Parasnath Stotra | Mayur Jain | B♭ Minor | 1 | 3A | 77 BPM | ||
| Bajrang Bala | Sukha Ram Saroa | D♭ Major | 9 | 3B | 136 BPM | ||
| Hara Hu Baba Par Tujhpe Bharosa Hai | Adhistha, Anushka | F♯ Minor | 7 | 11A | 107 BPM | ||
| Jagdamba Rakho Laaj Sharan Main Thari Aayo | Narayan Nandwana | B♭ Minor | 9 | 3A | 75 BPM | ||
| Mhara Bhai Sone Ra Naniya Lada | Manganiyar Group | G Major | 7 | 9B | 136 BPM | ||
| Dena Hai To Dijiye Janam Janam Ka Sath | Naresh Raina | G Major | 8 | 9B | 140 BPM | ||
| Hare Ka Sahara Aa Gaya | Ram Kumar Lakkha | F♯ Minor | 7 | 11A | 126 BPM | ||
| Kadi Manakpur Me Baithi Maa Sheetla Bhawani | Devendra Pathak | F Minor | 8 | 4A | 80 BPM | ||
| Mujhe Aisi Lagan Tu Lagade | Mukul Dwivedi | A Minor | 5 | 8A | 103 BPM | ||
| Jagdamba Ghar Mein Diyar | Poonam Mishra | B♭ Minor | 6 | 3A | 75 BPM |