"Après Un Rêve Opus 7/1" by Gabriel Fauré, Susan Manoff, Sandrine Piau had its release date on March 21, 2011. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Après Un Rêve Opus 7/1's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 25 in Après un rêve by Sandrine Piau. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Après Un Rêve Opus 7/1 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Après Un Rêve Opus 7/1 by Gabriel Fauré, Susan Manoff, Sandrine Piau is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vivaldi: Stabat Mater in F Minor, RV 621: I. Stabat Mater dolorosa | Antonio Vivaldi, Philippe Jaroussky, Artaserse | B♭ Major | 0 | 6B | 76 BPM | ||
| Hasse: Serpentes ignei in deserto: Aria. "Ara excelsa, ara pretiosa" (Moyses) | Johann Adolf Hasse, Thibault Noally, Les Accents, Philippe Jaroussky | F♯ Minor | 2 | 11A | 135 BPM | ||
| Fauré: Cantique de Jean Racine, Op. 11 (Orchestral Version) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D♭ Major | 1 | 3B | 79 BPM | ||
| Myrthen, Op. 25: No. 7, Die Lotosblume | Robert Schumann, Barbara Bonney, Vladimir Ashkenazy | F Major | 0 | 7B | 176 BPM | ||
| Oh pourquoi donc, S. 301a | Franz Liszt, Katharina Konradi, Daniel Heide | E Major | 0 | 12B | 67 BPM | ||
| L'enamourée | Reynaldo Hahn, Anna Netrebko | D♭ Major | 0 | 3B | 173 BPM | ||
| Ravel: 5 Mélodies populaires grecques, M. A 9: No. 1, Chanson de la mariée | Maurice Ravel, Sabine Devieilhe, Alexandre Tharaud | C Minor | 2 | 5A | 101 BPM | ||
| Rückert Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Magdalena Kožená, Berliner Philharmoniker, Sir Simon Rattle | E♭ Major | 0 | 5B | 80 BPM | ||
| La Damnation de Faust, Op. 24, H 111 / Pt. 1: Scène 1. "Le vieil hiver a fait place au printemps" | Hector Berlioz, Kenneth Riegel, Chicago Symphony Orchestra, Sir Georg Solti | G Major | 1 | 9B | 75 BPM | ||
| 7 Chansons grises: No. 5, L'heure exquise | Reynaldo Hahn, Anne Sofie von Otter, Bengt Forsberg | B♭ Major | 0 | 6B | 67 BPM | ||
| Pavane, Op. 50 (Choral Version) | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus | F Major | 2 | 7B | 98 BPM | ||
| St. John Passion, BWV 245: Pt. II: Aria. Zerfliesse, mein Herze (Soprano) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 76 BPM | ||
| Panis Angelicus: Panis Angelicus | César Franck, Cecilia Bartoli, Cinzia Maurizio, Luigi Piovano, Daniele Rossi | G Major | 1 | 9B | 171 BPM | ||
| Mozart: "Ridente la calma", K. 152 | Josef Mysliveček, Wolfgang Amadeus Mozart, Barbara Bonney | G Major | 3 | 9B | 143 BPM | ||
| Gounod: Faust, Act 2: Valse. "Ainsi que la brise légère" (Chœur, Méphistophélès, Faust, Siebel) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, José van Dam, Martine Mahé, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Sabine Devieilhe, Raphaël Pichon | E♭ Major | 1 | 5B | 181 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act 3: Lament. "When I Am Laid in Earth" (Dido) | Henry Purcell, William Christie, Les Arts Florissants, Véronique Gens | F♯ Minor | 0 | 11A | 80 BPM | ||
| Delibes: Lakmé, Act 2: Scène et légende de la fille du Paria. "Par les dieux inspirés" - Air des clochettes. "Où va la jeune Hindoue" (Lakmé, Nilakantha, Chœur) | Léo Delibes, Natalie Dessay, Choeur Du Capitole De Toulouse, José van Dam, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 1 | 11B | 124 BPM | ||
| Idaspe: Ombra fedela anch'io (Air de Dario) | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Major | 0 | 3B | 71 BPM | ||
| Fauré: 3 Mélodies, Op. 7: No. 1, Après un rêve | Gabriel Fauré, Sabine Devieilhe, Alexandre Tharaud | G Minor | 1 | 6A | 166 BPM | ||
| Spanisches Liederspiel, Op. 74: IV. In der Nacht | Robert Schumann, Marlis Petersen, Werner Güra, Anke Vondung, Christoph Berner | D Minor | 1 | 7A | 97 BPM | ||
| Ravel: 5 Mélodies populaires grecques, M. A 5: No. 4, Chanson des cueilleuses de lentisques | Maurice Ravel, Sabine Devieilhe, Alexandre Tharaud | A Major | 0 | 11B | 71 BPM | ||
| Atalanta - / Act 1: Care selve | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | A♭ Major | 2 | 4B | 84 BPM | ||
| The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" (The Snow Maiden's Aria) | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | E Major | 2 | 12B | 129 BPM | ||
| Adriana Lecouvreur: Poveri fiori (Act IV) | Francesco Cilea, Kiri Te Kanawa, Myung-Whun Chung, London Symphony Orchestra | D Minor | 0 | 7A | 87 BPM |