Teresa Teng's '舟唄' had a release date set for 1980. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 演歌のメッセージ, so we believe that "舟唄" is a single. 舟唄 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 舟唄 by Teresa Teng is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| しおさいの詩 | Kei Ogura | A Minor | 1 | 8A | 182 BPM | ||
| さよなら、今日は | Rie Asakura | B Major | 5 | 1B | 101 BPM | ||
| Anata o Matte Sannen Mitsuki | Masako Mori | A Minor | 7 | 8A | 205 BPM | ||
| ゴンドラの唄 | 田端義夫 | C Major | 2 | 8B | 93 BPM | ||
| 化粧 | Junko Sakurada | A Minor | 4 | 8A | 138 BPM | ||
| 東京ブルース | Teresa Teng | D♭ Major | 4 | 3B | 79 BPM | ||
| お座敷小唄 - Live at 京都BELAMI / 1970.7.16-18 | Chiyo Okumura | A Minor | 6 | 8A | 140 BPM | ||
| 雨の御堂筋 | Saori Minami | B Minor | 4 | 10A | 141 BPM | ||
| 博多みれん | Goro Noguchi | E♭ Minor | 4 | 2A | 72 BPM | ||
| 旭川ブルース | ロス・プリモス | A Minor | 5 | 8A | 101 BPM | ||
| ふたりで一つの人生を | 山本譲二 | A Major | 6 | 11B | 76 BPM | ||
| ジャングルジム | Mayumi Itsuwa | B♭ Major | 1 | 6B | 80 BPM | ||
| 指輪のあと | 敏いとうとハッピー&ブルー | C Minor | 8 | 5A | 132 BPM | ||
| 想い出はいつの日も | Mayumi Itsuwa | G Major | 3 | 9B | 143 BPM | ||
| 風にのせて | Iruka | B Minor | 8 | 10A | 97 BPM | ||
| 片想いの少女へ | Iruka | G Major | 4 | 9B | 77 BPM | ||
| おもいでグラス | Jiro Atsumi, 内海 美幸 | A Minor | 3 | 8A | 130 BPM | ||
| ネオン川 | Barbe Satake | B♭ Minor | 4 | 3A | 105 BPM | ||
| 遠くへ行きたい | Kenji Niinuma | E Minor | 3 | 9A | 95 BPM | ||
| 沓掛時次郎 | Yukio Hashi | D♭ Major | 3 | 3B | 173 BPM | ||
| そこにいる君ではなくて | Kei Ogura | F Major | 2 | 7B | 93 BPM | ||
| 二人の大阪 | Yuko Nagisa | D Major | 2 | 10B | 90 BPM | ||
| 恋のなごり | Tomoko Ogawa | C Minor | 6 | 5A | 122 BPM | ||
| ラブユー貧乏 (ボーカル編) | ロス・プリモス | A Minor | 5 | 8A | 101 BPM | ||
| 長崎の夜はむらさき | 瀬川瑛子 | C Major | 3 | 8B | 91 BPM |