"Variations and Fugue on a Theme of Mozart, Op. 132 (version for orchestra): Theme: Andante grazioso" by Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker had its release date on January 19, 1995. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Variations and Fugue on a Theme of Mozart, Op. 132 (version for orchestra): Theme: Andante grazioso's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Reger: Mozart Variations Op. 132 / Hiller Variations Op. 100". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Variations and Fugue on a Theme of Mozart, Op. 132 (version for orchestra): Theme: Andante grazioso is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variations and Fugue on a Theme of Mozart, Op. 132 (version for orchestra): Theme: Andante grazioso by Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Two Dialogues with Postscript: I. Wedding Waltz | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | D♭ Minor | 1 | 12A | 164 BPM | ||
| Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | ||
| Du bist die Ruh, D 776 | Nils Mönkemeyer | E♭ Major | 0 | 5B | 68 BPM | ||
| Cello Suite in A Minor, Op. 131c, No. 3: II. Scherzo. Vivace | Max Reger, Guido Schiefen | B♭ Major | 1 | 6B | 113 BPM | ||
| Kinderszenen, Op. 15: No. 7 Träumerei | Robert Schumann, Jan Lisiecki | C Minor | 1 | 5A | 75 BPM | ||
| Suite im alten Stil, Op. 10: Adagio | Christian Sinding, Henning Kraggerud, Razumovsky Symphony Orchestra, Bjarte Engeset | A Minor | 1 | 8A | 94 BPM | ||
| Florida Suite: II. By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | G Major | 0 | 9B | 68 BPM | ||
| Ancient Airs and Dances, Suite No. 2, P 138: III. Campanae parisienses - Aria | Ottorino Respighi, Jesús López-Cobos, Orchestre de Chambre de Lausanne | D♭ Minor | 1 | 12A | 75 BPM | ||
| Harold en Italie, Op. 16, H. 68: 2. Marche de pèlerins chantant la prière du soir. Allegretto - Live | Hector Berlioz, Tabea Zimmermann, Les Siècles, François-Xavier Roth | E Major | 0 | 12B | 87 BPM | ||
| Suite No. 1, Op. 13: III. Nocturne | New Zealand Symphony Orchestra, Jules Massenet | A♭ Major | 0 | 4B | 85 BPM | ||
| Concerto in F Minor, Op. 5 "Grand": II. Andante pastorale | Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra | B♭ Major | 0 | 6B | 119 BPM | ||
| Alfvén: Suite from The Mountain King, Op. 37: IV. The Hersmaid's Dances | Hugo Alfvén, Mariss Jansons, Oslo Philharmonic Orchestra | G Major | 2 | 9B | 150 BPM | ||
| Chopin: Piano Concerto No.2 in F minor, Op.21 - 2. Larghetto | Lang Lang, Wiener Philharmoniker, Zubin Mehta | A♭ Major | 0 | 4B | 133 BPM | ||
| Concerto For Piano And Orchestra No. 2 In F Minor, Op. 21 (Arr. By Mikhail Pletnev): 2. Larghetto | Frédéric Chopin, Daniil Trifonov, Mahler Chamber Orchestra, Mikhail Pletnev | A♭ Major | 0 | 4B | 76 BPM | ||
| Dido & Aeneas, Z. 626: When I Am Laid in Earth "Dido's Lament" (Transcr. L. Stokowski) | Henry Purcell, Timothy Walden, Bournemouth Symphony Orchestra, José Serebrier | E Major | 0 | 12B | 76 BPM | ||
| Schumann: Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso | Robert Schumann, Beatrice Rana, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 1 | 9B | 85 BPM | ||
| Strauss, R. / Arr. Lenaerts: Der Rosenkavalier | Richard Strauss, Anneleen Lenaerts | E Major | 1 | 12B | 129 BPM | ||
| Masques et bergamasques Suite, Op. 112: I. Ouverture. Allegro molto vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | F♯ Minor | 0 | 11A | 80 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Kremerata Baltica, Anna Vinnitskaya, Omer Meir Wellber, Winds of Staatskapelle Dresden | F Major | 3 | 7B | 155 BPM | ||
| Berceuse for Small Orchestra (1904) | Armas Järnefelt, Esa-Pekka Salonen, Swedish Radio Symphony Orchestra, Mats Zetterqvist, Mats Rondin | G Minor | 0 | 6A | 116 BPM | ||
| Elegie I. In Memoriam: Adagio | Lodewijk Mortelmans, Belgian Radio and Television Philharmonic Orchestra, Silveer Vandenbroeck | E♭ Major | 0 | 5B | 77 BPM | ||
| Variation 3: Con moto | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Minor | 0 | 8A | 70 BPM | ||
| Sibelius: Andante festivo (Orchestral Version) | Jean Sibelius, Oslo Philharmonic Orchestra, Mariss Jansons | G Major | 1 | 9B | 169 BPM | ||
| Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": III. Allegro "La caccia" | Antonio Vivaldi, Anne-Sophie Mutter, Herbert von Karajan | F Minor | 2 | 4A | 173 BPM | ||
| Reger: Eine Ballett-Suite, Op. 130: V. Valse d'amour. Sostenuto | Max Reger, Joseph Keilberth, Bamberg Symphony | A Major | 1 | 11B | 77 BPM |