"TOO MANY SCARS" by DIESECT had its release date on February 4, 2025. TOO MANY SCARS is 2 minutes and 32 seconds long and may contain bad words that may be unsuitable for children. Since TOO MANY SCARS only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Australia. The popularity of TOO MANY SCARS is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With TOO MANY SCARS by DIESECT having a BPM of 200 with a half-time of 100 BPM and a double-time of 400 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Televised Suicide | Volatile Ways, Terminal Sleep | F♯ Major | 10 | 2B | 91 BPM | ||
| SECOND DEATH | DIESECT | A♭ Major | 10 | 4B | 140 BPM | ||
| CORROSION | HATE COMPLEX | B Major | 9 | 1B | 89 BPM | ||
| VIVE LA DÉCEPTION | GAI 荄 | D Major | 10 | 10B | 140 BPM | ||
| Nothing Left To Lose But The Chains | Half Me | B Minor | 9 | 10A | 150 BPM | ||
| Cry Wolf | Justice For The Damned | A♭ Major | 10 | 4B | 89 BPM | ||
| Distort | Half Me | C Major | 10 | 8B | 100 BPM | ||
| Snapped | Thirst, Spencer Timmons, Saltwound | A Minor | 10 | 8A | 143 BPM | ||
| The Disconnect | 6deep | G Minor | 10 | 6A | 116 BPM | ||
| Congratulations | Darko US | A Major | 10 | 11B | 132 BPM | ||
| Stand for Nothing | ZUKØ | F♯ Major | 10 | 2B | 172 BPM | ||
| Portrait of Empty Faces | Torn From Oblivion, Sugar Spine | C Major | 10 | 8B | 120 BPM | ||
| Absence | ZUKØ | A♭ Major | 10 | 4B | 115 BPM | ||
| Darkness Shared | Boundaries | B Minor | 10 | 10A | 160 BPM | ||
| Quitter Talk | Half Me | A Minor | 9 | 8A | 135 BPM | ||
| Abuser | Shields | D♭ Major | 10 | 3B | 180 BPM | ||
| Get Well Soon | Johnny Booth | B Minor | 10 | 10A | 170 BPM | ||
| Gen Doom (ʇuɐɥdoɹǝᴉɥ ǝɥʇ) | In Hearts Wake | C Major | 10 | 8B | 100 BPM | ||
| Namesake | Catsclaw | F Minor | 10 | 4A | 125 BPM | ||
| RAIN | HEAVENSGATE | C Major | 9 | 8B | 180 BPM | ||
| Karma | Dead/Awake | B Minor | 9 | 10A | 92 BPM | ||
| Cybernetic Dream | Frontières, Joel Holmqvist | D♭ Major | 10 | 3B | 100 BPM | ||
| Love Burns | Paleface Swiss | A♭ Major | 8 | 4B | 150 BPM | ||
| Another Loss | 156/Silence | A Minor | 1 | 8A | 156 BPM | ||
| Roe Ct | ZUKØ | B♭ Major | 9 | 6B | 147 BPM |