Alexandre Desplat, London Symphony Orchestra's ' "Joan (From "The Imitation Game" Soundtrack)" was released on its scheduled release date, November 7, 2014. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "The Imitation Game (Original Motion Picture Soundtrack)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, Joan (From "The Imitation Game" Soundtrack)'s popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Joan (From "The Imitation Game" Soundtrack) by Alexandre Desplat, London Symphony Orchestra having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My Own Story | Christopher Willis | A Minor | 4 | 8A | 134 BPM | ||
| Joan (From "The Imitation Game" Soundtrack) | Alexandre Desplat, London Symphony Orchestra | G Major | 2 | 9B | 123 BPM | ||
| The Headmaster | Alexandre Desplat, London Symphony Orchestra | D♭ Major | 0 | 3B | 97 BPM | ||
| Oxfords, Not Rogues | Matthew Margeson, Dominic Lewis | F Major | 2 | 7B | 79 BPM | ||
| Homecoming | Roque Baños | F Major | 1 | 7B | 69 BPM | ||
| Your Secret is Safe | Atli Örvarsson | F Major | 1 | 7B | 97 BPM | ||
| Page 47 | Trevor Rabin | D Minor | 3 | 7A | 120 BPM | ||
| Merida's Home - From "Brave"/Score | Patrick Doyle | D Major | 5 | 10B | 142 BPM | ||
| Rose Garden | Adrian Johnston | E Major | 0 | 12B | 83 BPM | ||
| Life Goes On | James Newton Howard | F Minor | 0 | 4A | 70 BPM | ||
| Briony | Dario Marianelli, Jean-Yves Thibaudet | A♭ Major | 3 | 4B | 105 BPM | ||
| Giordano Bruno | Alan Silvestri | C Minor | 1 | 5A | 78 BPM | ||
| Two Stories | Bear McCreary | D Major | 1 | 10B | 73 BPM | ||
| Love and Imagination | Max Richter | C Major | 2 | 8B | 120 BPM | ||
| Baby Davy | Christopher Willis | C Major | 2 | 8B | 90 BPM | ||
| River Crossing | Carter Burwell | G Major | 2 | 9B | 58 BPM | ||
| A Tale of Sim Cities | Chris Tilton | D Minor | 2 | 7A | 180 BPM | ||
| Austerlitz | Jan A.P. Kaczmarek | D♭ Major | 3 | 3B | 179 BPM | ||
| No Regrets | Ruth Barrett | F Minor | 4 | 4A | 78 BPM | ||
| Helicopter Rescue | Bear McCreary | C Major | 1 | 8B | 121 BPM | ||
| Did You Let Me Go? | Geoff Zanelli, Jon Brion | G Minor | 1 | 6A | 82 BPM | ||
| On the Eve of Harlan's Demise | Nathan Johnson | D Major | 1 | 10B | 88 BPM | ||
| Should I Know You? | John Powell, Gavin Greenaway | F Major | 3 | 7B | 66 BPM | ||
| Desplat: Vermeer's Studio | Pro Arte Orchestra Of London, Michael Davis, Alexandre Desplat | C Major | 1 | 8B | 108 BPM | ||
| New End | Stephen Rennicks | A Major | 2 | 11B | 208 BPM |