"Francesca da Rimini, Op. 4, Act I, Scene 13: Portami nella stanza (Francesca, Garsenda, Biancofiore, Adonella, Altichiara, Chorus)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Tunde Franko, Anita Bader, Jaroslava Horska, Jolana Fogasova, Kammerchor Sofia had its release date on 1994. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Francesca da Rimini, Op. 4, Act I, Scene 13: Portami nella stanza (Francesca, Garsenda, Biancofiore, Adonella, Altichiara, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #14 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. Francesca da Rimini, Op. 4, Act I, Scene 13: Portami nella stanza (Francesca, Garsenda, Biancofiore, Adonella, Altichiara, Chorus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act I, Scene 13: Portami nella stanza (Francesca, Garsenda, Biancofiore, Adonella, Altichiara, Chorus) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Tunde Franko, Anita Bader, Jaroslava Horska, Jolana Fogasova, Kammerchor Sofia has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Op. 4, Act I, Scene 13: Portami nella stanza (Francesca, Garsenda, Biancofiore, Adonella, Altichiara, Chorus) being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Francesca da Rimini, Op. 4, Act I: O Francesca, anima mia | Riccardo Zandonai, Viktória Mester, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon | F Major | 3 | 7B | 82 BPM | ||
| Tosca, Act II: Tosca è un buon falco! | Giacomo Puccini, Ludovic Tezier, Nicolò Ceriani, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| I cavalieri di Ekebu: Vi går tillsammans | Lars Cleveman, Malena Karlsson, Riccardo Zandonai, A. Rossato, M. Lindman | A Major | 1 | 11B | 100 BPM | ||
| Puccini: Turandot, Act 1: "Popolo di Pekino!" (Il mandarino, La Folla, Guardie, Liù) | Giacomo Puccini, Renata Scotto, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma | B♭ Major | 2 | 6B | 95 BPM | ||
| Les Pêcheurs de perles: Demeure parmi nous, Nadir (Zurga, Nadir, Fishermen, Villagers) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | G Minor | 2 | 6A | 72 BPM | ||
| No. Sei un fanciullo | Riccardo Zandonai, Gianandrea Gavazzeni | C Major | 2 | 8B | 77 BPM | ||
| Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
| Francesca da Rimini, Act IV: Mia cara donna, voi m'attendevate? (Live) | Riccardo Zandonai, Orchestra Del Teatro Alla Scala, Milano, Giampiero Malaspina, Magda Olivero, Gianandrea Gavazzeni | E♭ Major | 5 | 5B | 140 BPM | ||
| I Puritani / Act 1: I rito augusto si compia senza me | Vincenzo Bellini, Gian Carlo Luccardi, Anita Caminada, Nicolai Ghiaurov, Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | C Major | 2 | 8B | 62 BPM | ||
| Tosca, Act II: Orsù, Tosca, parlate | Giacomo Puccini, Sherrill Milnes, Mirella Freni, Luciano Pavarotti, Michel Sénéchal, Paul Hudson, National Philharmonic Orchestra, Nicola Rescigno | G Minor | 2 | 6A | 176 BPM | ||
| Wagner: Lohengrin, Act 2: "Welch ein Geheimnis muss der Held bewahren?" (Henry, Elsa, Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Emily Magee, René Pape, Staatskapelle Berlin | F Major | 3 | 7B | 78 BPM | ||
| Tosca, Act II: Tosca è un buon falco! | Giacomo Puccini, Sherrill Milnes, Paul Hudson, National Philharmonic Orchestra, Nicola Rescigno | E♭ Minor | 3 | 2A | 85 BPM | ||
| Lucia di Lammermoor / Act 2: "Che fia" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E Major | 3 | 12B | 125 BPM | ||
| Bellini: I puritani: "Odi! Qual suon si dta?" (Elvira, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Carmen, Act I: Finale. Le lieutenant! Prenez garde! | Georges Bizet, Jean Barney, Jean-Noel Sissia, Maria Laborit, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 175 BPM | ||
| Falla: La vida breve, Act I: "Vivan los que rien!" (Salud, Paco, Chorus) | Manuel de Falla, Marianne Crebassa, Choeur Du Capitole De Toulouse, Stanislas de Barbeyrac, Ben Glassberg, Orchestre National Du Capitole De Toulouse | A Minor | 2 | 8A | 189 BPM | ||
| La fille du régiment / Act 1: Sacré nom d'une pipe! | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 62 BPM | ||
| Grande Messe des Morts: XVIII. Offertorium: Vado et non revertar - Largo | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | A♭ Major | 0 | 4B | 168 BPM | ||
| Francesca da Rimini, Act III: Nemica ebbi la luce (Live) | Riccardo Zandonai, Mario del Monaco, Orchestra Del Teatro Alla Scala, Milano, Magda Olivero, Gianandrea Gavazzeni | E Minor | 4 | 9A | 175 BPM | ||
| Gounod: Faust, Act 3: Couplets. "Faites-lui mes aveux" (Siebel) | Charles Gounod, Michel Plasson, Martine Mahé, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Bellini: I puritani: "Ah! per sempre io ti perdei" (Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Falstaff, Act II: E sogno o realtà? | Giuseppe Verdi, Thomas Hampson, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
| Rossini: Guillaume Tell, Act 1 Scene 2: "Près des torrents qui grondent" (Melchthal, Guillaume, Jemmy, Hedwige, Arnold, Ruodi, Chorus) | Gioachino Rossini, Marie-Nicole Lemieux, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 7 | 9B | 78 BPM | ||
| Manon Lescaut / Act 2: Minuetto | Giacomo Puccini, Anthony Laciura, Giuseppe Taddei, Mirella Freni, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 146 BPM | ||
| Tosca, Act I: Sommo giubilo, Eccelenza! | Giacomo Puccini, Davide Giangregorio, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM |