"Giulietta e Romeo, Act I: Nessuno più... Parlate piano (Romeo, Giulietta)" by Riccardo Zandonai, Orchestra di Milano della RAI, Angelo Questa, Angelo Lo Forese, Anna Maria Rovere had its release date on 1955. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Zandonai: Giulietta e Romeo by Riccardo Zandonai, Anna Maria Rovere, Angelo Lo Forese, Angelo Questa. The song's track number on the album is #7 out of 22 tracks. Giulietta e Romeo, Act I: Nessuno più... Parlate piano (Romeo, Giulietta) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Giulietta e Romeo, Act I: Nessuno più... Parlate piano (Romeo, Giulietta) by Riccardo Zandonai, Orchestra di Milano della RAI, Angelo Questa, Angelo Lo Forese, Anna Maria Rovere has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Giulietta e Romeo, Act I: Nessuno più... Parlate piano (Romeo, Giulietta) being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Messa di Gloria: Gratias agimus tibi | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | ||
| Cavalleria rusticana: "Dite, mamma Lucia" | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Major | 10 | 12B | 134 BPM | ||
| Aida / Act 1: "Vieni, o diletta, appressati" | Giuseppe Verdi, Elena Obraztsova, Katia Ricciarelli, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | A♭ Major | 0 | 4B | 81 BPM | ||
| Cendrillon: Faites-vous très belles | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B♭ Major | 1 | 6B | 115 BPM | ||
| L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
| Francesca da Rimini / Act 4: E così vada s'è pur mio destino...Vieni, vieni, | Riccardo Zandonai, Magda Olivero, Mario del Monaco, Virgilio Carbonari, Monte-Carlo Philharmonic Orchestra, Nicola Rescigno | B Minor | 3 | 10A | 102 BPM | ||
| La Gioconda, Op. 9: "Enzo Grimaldo, Principe di Santafior, che pensi?" | Amilcare Ponchielli, Jonas Kaufmann, Ludovic Tezier, Antonio Pappano, Orchestra of the Accademia di Santa Cecilia, Rome | F Minor | 0 | 4A | 167 BPM | ||
| Messa di Gloria: Cum Sancto Spiritu | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | ||
| Donizetti: Don Pasquale, Act 2: "Io? Io?" (Pasquale, Ernesto, Malatesta, Norina) | Gaetano Donizetti, Riccardo Muti, Gösta Winbergh, Leo Nucci, Mirella Freni, Sesto Bruscantini, Philharmonia Orchestra | D Major | 4 | 10B | 139 BPM | ||
| Lucrezia Borgia: Preludio | Gaetano Donizetti, Lieuwe Visser, John Bröcheler, Marilyn Horne, Graham Clark, Piero de Palma, Richard van Allan, National Philharmonic Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 112 BPM | ||
| La Gioconda / Act 1: E cantan su lor tombe! | Amilcare Ponchielli, Sherrill Milnes, Montserrat Caballé, Alfreda Hodgson, National Philharmonic Orchestra, Bruno Bartoletti | D Major | 0 | 10B | 165 BPM | ||
| Bizet: Carmen, WD 31, Act 1: "Regardez donc cette petite qui semble vouloir nous parler" (Moralès, Micaëla, Chœur) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Chor der Deutschen Staatsoper Berlin, Genia Kühmeier, Berliner Philharmoniker | B♭ Major | 1 | 6B | 96 BPM | ||
| Puccini: Turandot, Act 2: "Straniero, ascolta!" (Turandot, Calaf, I sapienti) | Giacomo Puccini, Francesco Molinari-Pradelli, Birgit Nilsson, Coro Del Teatro Dell'Opera Di Roma, Franco Corelli, Orchestra Del Teatro Dell'Opera Di Roma | F Major | 1 | 7B | 76 BPM | ||
| Das Lied von der Erde: VId. Der Abschied. Schwer | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | A♭ Major | 1 | 4B | 77 BPM | ||
| Tosca: Recondita armonia | Carlo Bergonzi, Gianandrea Gavazzeni, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 2 | 7B | 93 BPM | ||
| Francesca da Rimini, Op. 4, Act III: No, Smaragdi, no! | Riccardo Zandonai, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon | F Major | 3 | 7B | 82 BPM | ||
| Rigoletto / Act 3: Maddalena? / Aspettate | Giuseppe Verdi, Elena Obraztsova, Plácido Domingo, Nicolai Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | B Major | 0 | 1B | 92 BPM | ||
| Francesca da Rimini, Op. 4, Act I, Scene 10: Verrà, in breve anche il tuo giorno (Francesca, Samaritana) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Hana Minutillo | E♭ Major | 1 | 5B | 126 BPM | ||
| La pícara molinera, Act II: "Mi locura… Paxarín, tú que vuelas" (Juan) | Pablo Luna, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo, Juan Diego Flórez | D♭ Major | 1 | 3B | 68 BPM | ||
| Chopin: 17 Songs, Op. 74: No. 9, Melodia | Frédéric Chopin, Teresa Żylis-Gara, Halina Czerny-Stefanska | A♭ Major | 1 | 4B | 77 BPM | ||
| Bolivar, Op. 236: Berceuse | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | B Minor | 2 | 10A | 84 BPM | ||
| Wagner: Tristan und Isolde, Act 1: "Frisch weht der Wind der Heimat zu" - "Mir erkoren, mir verloren" (Der junge Seemann, Isolde, Brangäne) | Richard Wagner, Herbert von Karajan, Christa Ludwig, Helga Dernesch, Peter Schreier, Berliner Philharmoniker | C Major | 1 | 8B | 131 BPM | ||
| Mozart: Così fan tutte, K. 588, Act 1: Terzetto. "É la fede delle femmine" (Ferrando, Don Alfonso, Guglielmo) | Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Royal Concertgebouw Orchestra, Deon Van Der Walt, Gilles Cachemaille, Thomas Hampson | D Major | 0 | 10B | 113 BPM | ||
| Simon Boccanegra / Act 1: Messeri, il re di Tartaria (Doge, Paolo, Pietro, Gabriele, AMelia, Fiesco, Coro) | Giuseppe Verdi, Piero Cappuccilli, José Carreras, José van Dam, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Major | 3 | 6B | 136 BPM | ||
| Carmen / Act 3: Introduction: "Ecoute, compagnon, écoute!" | Georges Bizet, Christine Barbaux, Jane Berbié, Agnes Baltsa, José Carreras, Gino Quilico, Heinz Zednik, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris, Jean Laforge | C Minor | 0 | 5A | 99 BPM |