"Francesca da Rimini, Op. 4, Act III: No, Smaragdi, no!" by Riccardo Zandonai, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon had its release date on November 6, 2015. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Francesca da Rimini, Op. 4, Act III: No, Smaragdi, no!'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zandonai: Francesca da Rimini, Op. 4 by Riccardo Zandonai, Martin Mühle, Juan Orozco, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon. The song's track number on the album is #7 out of 49 tracks. Based on our data, Germany was the country where this track was produced or recorded. Francesca da Rimini, Op. 4, Act III: No, Smaragdi, no! is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act III: No, Smaragdi, no! by Riccardo Zandonai, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Op. 4, Act III: No, Smaragdi, no! being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Granados / Transcr. Bakish: 12 Tonadillas en estilo antiguo: No. 6, El mirar de la maja | Enrique Granados, Liat Cohen, Charles Castronovo | A Minor | 1 | 8A | 87 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Ich bin Rosine Leckermaul" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 2 | 10B | 75 BPM | ||
| Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | ||
| Francesca da Rimini, Act II: Benvenuto, signore mio cognato (Live) | Riccardo Zandonai, Magda Olivero, Orchestra Del Teatro Alla Scala, Milano, Mario del Monaco, Gianandrea Gavazzeni | A Minor | 2 | 8A | 102 BPM | ||
| Rossini: Petite messe solennelle: XII. Et vitam ventur saeculi | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 4 | 3B | 93 BPM | ||
| Francesca da Rimini, Op. 4, Act II: È ancora sgombro il campo del comune? | Riccardo Zandonai, Levente Molnár, Se Hun Jin, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon | G Major | 1 | 9B | 91 BPM | ||
| Bizet: Carmen, Act 1: "Sur la place, chacun passe, chacun vient, chacun va" (Moralès, Dragons) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Chor des Deutschen Staatsoper | B♭ Major | 1 | 6B | 109 BPM | ||
| Tosca, Act I: Mario! Mario! Mario! | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Giménez & Vives: El húsar de la guardia: "Un pobre nido" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | B♭ Major | 1 | 6B | 127 BPM | ||
| Verdi: La forza del destino: Fratello... - Riconoscimi - Alvaro - Act Four | Giuseppe Verdi, Plácido Domingo | E♭ Major | 1 | 5B | 82 BPM | ||
| Bolivar, Op. 236: Berceuse | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | B Minor | 2 | 10A | 84 BPM | ||
| Soy Dalí Excerpt | Hermanos Ferrando, Ignacio Ferrando, Jorge Ferrando | B♭ Major | 1 | 6B | 112 BPM | ||
| Zandonai : Notte di neve | Riccardo Zandonai, José Carreras, Tim Oldham | D♭ Major | 3 | 3B | 170 BPM | ||
| La traviata / Act 2: "Di sprezzo degno se stesso rende" | Giuseppe Verdi, Juan Pons, Luciano Pavarotti, Wendy White, Anthony Laciura, Bruno Pola, Julien Robbins, Jeffrey Wells, Metropolitan Opera Chorus, John Keenan, Metropolitan Opera Orchestra, James Levine | E♭ Major | 1 | 5B | 88 BPM | ||
| L'elisir d'amore / Act 1: "Signor sargente" | Gaetano Donizetti, Maria Casula, Dominic Cossa, Luciano Pavarotti, Dame Joan Sutherland, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 84 BPM | ||
| Don Pasquale, Act I Seconda Scena: Son rinato. Or si parli al nipotino (Pasquale/Ernesto) | Gaetano Donizetti, Sesto Bruscantini/Leo Nucci/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Major | 1 | 8B | 77 BPM | ||
| Il tabarro, SC 85: O Luigi! Luigi! ... Dimmi, perché gli hai chiesto | Giacomo Puccini, Jonathan Tetelman, Vida Miknevičiūtė, Önay Köse, PKF – Prague Philharmonia, Carlo Rizzi | F♯ Minor | 2 | 11A | 83 BPM | ||
| Donizetti: Don Pasquale, Act 1: "Pronta io son, purch'io non manchi" (Norina, Malatesta) | Gaetano Donizetti, Riccardo Muti, Gösta Winbergh, Leo Nucci, Mirella Freni, Philharmonia Orchestra | C Major | 2 | 8B | 83 BPM | ||
| La bohème, Act IV: Vecchia zimarra, senti | Giacomo Puccini, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 90 BPM | ||
| Nabucco / Act 1: Lo vedeste! | Giuseppe Verdi, Anna D'Auria, Carlo Cava, Vienna State Opera Chorus, Vienna State Opera Orchestra, Lamberto Gardelli | E Major | 2 | 12B | 126 BPM | ||
| Serenata medioevale, RZ 219 | Riccardo Zandonai, Stefano Guarino, Orchestra da Camera di Trento, Giancarlo Guarino | A Minor | 1 | 8A | 69 BPM | ||
| Manon Lescaut / Act 4: Tutta su me ti posa | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Metropolitan Opera Orchestra, James Levine | B Minor | 0 | 10A | 77 BPM | ||
| Bellini: I puritani: "All’erta!" (Bruno, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| La fille du régiment / Act 1: Sacré nom d'une pipe! | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 62 BPM | ||
| La Cenerentola: Acto II: "Nacqui All'affanno e al Pianto" - "Non Più Mesta Accanto al Fuoco" | Victoria de los Ángeles | E Major | 2 | 12B | 114 BPM |