"Serenata medioevale, RZ 219" by Riccardo Zandonai, Stefano Guarino, Orchestra da Camera di Trento, Giancarlo Guarino had its release date on July 1, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 29 in the song's album "Riccardo Zandonai: Musica da camera e per piccola orchestra". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Italy. Serenata medioevale, RZ 219 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Serenata medioevale, RZ 219 by Riccardo Zandonai, Stefano Guarino, Orchestra da Camera di Trento, Giancarlo Guarino having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Giulietta e Romeo, Act I: Ehi! Capuleti! Capuleti! Qua! (Tebaldo) | Riccardo Zandonai, Orchestra di Milano della RAI, Angelo Questa, Renato Capecchi | G Major | 2 | 9B | 80 BPM | ||
| Verdi: Otello: Atto Primo: Già nella notte densa | Giuseppe Verdi, Jonas Kaufmann, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Minor | 0 | 9A | 82 BPM | ||
| Francesca da Rimini / Act 4: E così vada s'è pur mio destino...Vieni, vieni, | Riccardo Zandonai, Magda Olivero, Mario del Monaco, Virgilio Carbonari, Monte-Carlo Philharmonic Orchestra, Nicola Rescigno | B Minor | 3 | 10A | 102 BPM | ||
| La Gioconda, Op. 9: "Enzo Grimaldo, Principe di Santafior, che pensi?" | Amilcare Ponchielli, Jonas Kaufmann, Ludovic Tezier, Antonio Pappano, Orchestra of the Accademia di Santa Cecilia, Rome | F Minor | 0 | 4A | 167 BPM | ||
| Wagner: Tristan und Isolde, Act 1: "Frisch weht der Wind der Heimat zu" - "Mir erkoren, mir verloren" (Der junge Seemann, Isolde, Brangäne) | Richard Wagner, Herbert von Karajan, Christa Ludwig, Helga Dernesch, Peter Schreier, Berliner Philharmoniker | C Major | 1 | 8B | 131 BPM | ||
| Carmen / Act 3: Trio: "Mêlons! Coupons!" | Georges Bizet, Christine Barbaux, Jane Berbié, Agnes Baltsa, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 114 BPM | ||
| Rossini: Petite messe solennelle: XII. Et vitam ventur saeculi | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 4 | 3B | 93 BPM | ||
| Rigoletto / Act I: Quel vecchio maledivami! | Giuseppe Verdi, Piero Cappuccilli, Nicolai Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | F Major | 1 | 7B | 106 BPM | ||
| Simon Boccanegra, Prologue: Suona ogni labbro il mio nome | Giuseppe Verdi, Piero Cappuccilli, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D Major | 4 | 10B | 108 BPM | ||
| Die Fledermaus / Act 1: "Da schreibt meine Schwester Ida" | Johann Strauss II, Kiri Te Kanawa, Edita Gruberova, Richard Leech, Wiener Philharmoniker, André Previn | C Major | 1 | 8B | 134 BPM | ||
| Un ballo in maschera, Act I: Zitti, l'incanto non dèssi turbare - Rallegrati ornai | Giuseppe Verdi, Elena Obraztsova, Plácido Domingo, Luigi De Corato, Gianfranco Manganotti, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Minor | 1 | 3A | 78 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| Giménez & Vives: El húsar de la guardia: "Un pobre nido" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | B♭ Major | 1 | 6B | 127 BPM | ||
| La traviata / Act 2: "Né rispondi d'un padre all'affetto?" - "No, non udrai rimproveri" | Giuseppe Verdi, Thomas Hampson, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | B♭ Major | 2 | 6B | 95 BPM | ||
| Manon Lescaut / Act 2: Poichè tu vuoi saper? | Giacomo Puccini, Dwayne Croft, Mirella Freni, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 76 BPM | ||
| Donizetti: Lucia di Lammermoor, Act I Scene 2: Quando rapito in estasi (Lucia, Alisa) | Gaetano Donizetti, Orchestra del Teatro Bellini di Catania, Fabrizio Maria Carminati, Lisette Oropesa, Irene Savignano | D Major | 2 | 10B | 141 BPM | ||
| Andrea Chénier / Act 1: Passiamo la sera allegramente! ... O Pastorelle addio! | Umberto Giordano, Hugues Cuénod, Florindo Andreolli, Astrid Varnay, Luciano Pavarotti, Montserrat Caballé, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | A Major | 1 | 11B | 75 BPM | ||
| Serenata medioevale, RZ 219 | Riccardo Zandonai, Stefano Guarino, Orchestra da Camera di Trento, Giancarlo Guarino | A Minor | 1 | 8A | 69 BPM | ||
| Lucia di Lammermoor / Act 3: "Orrida è questa notte" | Gaetano Donizetti, Luciano Pavarotti, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 1 | 7B | 49 BPM | ||
| Francesca da Rimini, Act II: Benvenuto, signore mio cognato (Live) | Riccardo Zandonai, Magda Olivero, Orchestra Del Teatro Alla Scala, Milano, Mario del Monaco, Gianandrea Gavazzeni | A Minor | 2 | 8A | 102 BPM | ||
| Lucia di Lammermoor / Act 3: "Ah! cessate quel contento" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 1 | 9B | 84 BPM | ||
| Penella: Don Gil de Alcalá: "Bendita cruz" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | D Major | 1 | 10B | 81 BPM | ||
| Francesca da Rimini, Act II: Per Dio, gente poltrona (Live) | Riccardo Zandonai, Magda Olivero, Orchestra Del Teatro Alla Scala, Milano, Mario del Monaco, Gianandrea Gavazzeni | F♯ Major | 2 | 2B | 75 BPM | ||
| Bizet: Carmen, WD 31, Act 1: "Regardez donc cette petite qui semble vouloir nous parler" (Moralès, Micaëla, Chœur) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Chor der Deutschen Staatsoper Berlin, Genia Kühmeier, Berliner Philharmoniker | B♭ Major | 1 | 6B | 96 BPM | ||
| Tosca, Act I: Or lasciami al lavoro | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM |