- BPM
- 170
- Key
- D♭ Major
- Camelot
- 3B
Zandonai : Notte di neve by Riccardo Zandonai, José Carreras, Tim Oldham Song Details
"Zandonai : Notte di neve" by Riccardo Zandonai, José Carreras, Tim Oldham had its release date on July 1, 1995. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Zandonai : Notte di neve's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Serenata". In this album, this song's track order is #13. Furthermore, we believe that the track originated from France. The popularity of Zandonai : Notte di neve is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Zandonai : Notte di neve by Riccardo Zandonai, José Carreras, Tim Oldham having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -19.52 dB
- Acousticness
- 99%
- Danceability
- 26%
- Energy
- 26%
- Instrumentalness
- 0%
- Liveness
- 96%
- Loudness
- 67%
- Speechiness
- 11%
- Valence
- 18%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Puccini: Tosca, Act 2 Scene 4: "Ed or fra noi parliam da buoni amici … Sciarrone, che dice il Cavalier?" (Scarpia, Tosca, Sciarrone, Voce di Cavaradossi) | Giacomo Puccini, Tito Gobbi, Maria Callas, Ugo Trama, Carlo Bergonzi, Orchestre de la Socit des Concerts du Conservatoire, Georges Prtre, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Minor | 5 | 2A | 82 BPM | |
 | String Quartet in G Major: IV. Allegro | Riccardo Zandonai, Venice String Quartet | G Major | 1 | 9B | 90 BPM | |
 | Mazurka per concerto "Amarezze" - For Violin and Guitar | Riccardo Zandonai, Sergio La Vaccara, Luca Lucini | F Minor | 2 | 4A | 82 BPM | |
 | La fanciulla del West, SC 78: Ch'ella mi creda | Giacomo Puccini, Jonathan Tetelman, PKF – Prague Philharmonia, Carlo Rizzi | F♯ Major | 2 | 2B | 96 BPM | |
 | Francesca da Rimini, Op. 4, Act I, Scene 12: O dattero fronzuto (Biancofiore, Garsenda, Adonella, Altichiara, Samaritana, Francesca) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Anita Bader, Tunde Franko, Jaroslava Horska, Jolana Fogasova, Hana Minutillo | D Minor | 0 | 7A | 89 BPM | |
 | Madama Butterfly, Act I: Ieri son salita tutta sola in segreto alla Missione - 2013 Remastered Version | Giacomo Puccini, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 138 BPM | |
 | Francesca da Rimini, Op. 4, Act III: Basta, Paolo! | Riccardo Zandonai, Christina Vasileva, Martin Mühle, Alejandro Lárraga Schleske, Benedicte Tauran, Viktória Mester, Vokalensemble der Hochschule für Musik Freiburg, Levente Molnár, Juan Orozco, Adriano Graziani, Kim-Lillian Strebel, Sally Wilson, Marija J | D♭ Major | 3 | 3B | 83 BPM | |
 | Maria Stuarda / Act 1: "Qui si attenda" | Gaetano Donizetti, Bavarian Radio Chorus, Munich Radio Orchestra, Giuseppe Patanè | B♭ Major | 3 | 6B | 127 BPM | |
 | I Puritani / Act 3: Suon d'araldi? | Vincenzo Bellini, Luciano Pavarotti, Piero Cappuccilli, Nicolai Ghiaurov, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | D Major | 4 | 10B | 120 BPM | |
 | Trionfo di Afrodite - Concerto scenico: VI. Song of the married couple in the wedding chamber | Carl Orff, Dagmar Schellenberger, Lothar Odinius, Lisa Larson, Eva Maria Nobäuer, Barbara Reiter, Robert Swenson, Franz Welser-Moest, Franz Welser-Möst, Muenchner Rundfunkorchester, Das Münchner Rundfunkorchester | B♭ Minor | 0 | 3A | 180 BPM | |
 | Simon Boccanegra, Act I: Cielo di stelle orbato | Giuseppe Verdi, Mirella Freni, Maria Fausta Gallamini, José Carreras, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D Minor | 2 | 7A | 102 BPM | |
 | Simon Boccanegra: Act I: Come in quest'ora bruna (Amelia) | Giuseppe Verdi, Marina Rebeka, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | D Minor | 2 | 7A | 102 BPM | |
 | Verdi: La traviata, Act 2: "De’ miei bollenti spiriti" (Alfredo) | Giuseppe Verdi, Philharmonia Orchestra, Riccardo Muti, Alfredo Kraus | E♭ Major | 1 | 5B | 135 BPM | |
| Francesca da Rimini, Op. 4, Act I: Viene! Viene! Madonna Francesca | Riccardo Zandonai, Kim-Lillian Strebel, Christina Vasileva, Opernchor des Theater Freiburg, Extrachor des Theater Freiburg, Vokalensemble der Hochschule für Musik Freiburg, Freiburger Kammerchor, Philharmonisches Orchester Freiburg, Fabrice Bollon | G Minor | 0 | 6A | 132 BPM | |
 | Verdi: La forza del destino, Act 1: "Ah! Per sempre, o mio bell'angeli" (Don Alvaro, Donna Leonora, Curra) | Giuseppe Verdi, Riccardo Muti, Francesca Garbi, Mirella Freni, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano | E Major | 1 | 12B | 87 BPM | |
 | Donizetti: Don Pasquale, Act 3: "Bravo, bravo, Don Pasquale" (Malatesta, Norina, Ernesto, Pasquale, Coro) | Gaetano Donizetti, Riccardo Muti, Ambrosian Opera Chorus, Gösta Winbergh, Leo Nucci, Mirella Freni, Sesto Bruscantini, Philharmonia Orchestra | B♭ Major | 2 | 6B | 101 BPM | |
 | Carmen / Act 3: Introduction: "Ecoute, compagnon, écoute!" | Georges Bizet, Christine Barbaux, Jane Berbié, Agnes Baltsa, José Carreras, Gino Quilico, Heinz Zednik, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris, Jean Laforge | C Minor | 0 | 5A | 99 BPM | |
 | Das Lied von der Erde: VId. Der Abschied. Schwer | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | D Minor | 2 | 7A | 102 BPM | |
 | Carmen: Habt ihr gehört? / Leichter Rauch | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | E Major | 1 | 12B | 125 BPM | |
 | Rigoletto, Act II: Ah! Piangi, fanciulla, piangi | Giuseppe Verdi, Dmitri Hvorostovsky, Nadine Sierra, Kaunas City Symphony Orchestra, Constantine Orbelian | D♭ Major | 2 | 3B | 82 BPM | |
 | Der fliegende Holländer, Act III: Willst jenen Tag du nicht dich mehr entsinnen "Cavatina" | Richard Wagner, René Kollo, Chicago Symphony Orchestra, Sir Georg Solti | A Major | 3 | 11B | 87 BPM | |
 | Giménez & Vives: El húsar de la guardia: "Un pobre nido" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | B♭ Major | 1 | 6B | 127 BPM | |
 | L'elisir d'amore / Act 1: "Signor sargente" | Gaetano Donizetti, Maria Casula, Dominic Cossa, Luciano Pavarotti, Dame Joan Sutherland, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 84 BPM | |
 | Bellini: I puritani: "Son vergin vezzosa" (Elvira, Enrichetta, Arturo, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | |
 | Puccini: Turandot, Act 2: "Ho una casa nell’Honan" (Ping, Pong, Pang, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Gregory Bonfatti, Mattia Olivieri, Siyabonga Maqungo, Orchestra dell'Accademia Nazionale di Santa Cecilia | A Major | 0 | 11B | 81 BPM |
- ISRC
- FRZ209448013
- Label
- L-M Records/RCA Records