Riccardo Zandonai, Sergio La Vaccara, Luca Lucini's 'Mazurka per concerto "Amarezze" - For Violin and Guitar' had a release date set for September 18, 2020. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Riccardo Zandonai: Rarities & Surprises (Art Songs, Transcriptions & Chamber Music)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Italy. Mazurka per concerto "Amarezze" - For Violin and Guitar is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mazurka per concerto "Amarezze" - For Violin and Guitar by Riccardo Zandonai, Sergio La Vaccara, Luca Lucini having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Zandonai : Notte di neve | Riccardo Zandonai, José Carreras, Tim Oldham | D♭ Major | 3 | 3B | 170 BPM | ||
| Norma (Ed. Biondi & Minasi), Act I Scene 1: Me protegge, me difende | Vincenzo Bellini, John Osborn, Reinaldo Macias, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | E♭ Major | 4 | 5B | 59 BPM | ||
| Berlioz: La Damnation de Faust, Op. 24, H 111, Pt. 4: "Nature immense" (Faust) | Hector Berlioz, John Nelson, Michael Spyres, Orchestre Philharmonique De Strasbourg | F Major | 0 | 7B | 72 BPM | ||
| Massenet: Werther, Act 3: "Toute mon âme est là !" - "Pourquoi me réveiller" (Werther, Charlotte) | Jules Massenet, Michel Plasson, Alfredo Kraus, Tatiana Troyanos, London Philharmonic Orchestra | G Major | 2 | 9B | 128 BPM | ||
| Rossini: Guillaume Tell, Act 1 Scene 2: "Près des torrents qui grondent" (Melchthal, Guillaume, Jemmy, Hedwige, Arnold, Ruodi, Chorus) | Gioachino Rossini, Marie-Nicole Lemieux, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 7 | 9B | 78 BPM | ||
| Donizetti: Don Pasquale, Act 3: "Via, caro sposino" (Norina, Pasquale) | Gaetano Donizetti, Riccardo Muti, Mirella Freni, Sesto Bruscantini, Philharmonia Orchestra | C Major | 3 | 8B | 120 BPM | ||
| Lucrezia Borgia: Prologue: Com'e bello! quale incanto (Lucrezia, Don Alfonso, Rustighello) | Gaetano Donizetti, Dimitra Theodossiou, Roberto De Biasio, Enrico Giuseppe Iori, Nidia Palacios, Luigi Albani, Giuseppe Di Paola, Mauro Corna, Livio Scarpellini, Giovanni Manfrin, Luca Dall'Amico, Dario Giorgele, Bergamo Musica Festival Chorus, Bergamo Mu | E♭ Major | 0 | 5B | 88 BPM | ||
| Bellini: I puritani: "Ma tu già mi fuggi?" (Elvira, Bruno, Riccardo, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Meyerbeer: Les Huguenots, Acte 1: L'orgie. "Bonheur de la table" (Chœur) | Giacomo Meyerbeer, Cyril Diederich, Chœurs de l'Opéra de Montpellier, Orchestre Philharmonique De Montpellier | C Major | 5 | 8B | 137 BPM | ||
| Rusalka, Op. 114 / Act 2: Jiz tyden dlis po boku | Antonín Dvořák, Ben Heppner, Eva Urbanová, Czech Philharmonic, Sir Charles Mackerras | A♭ Major | 2 | 4B | 167 BPM | ||
| La Gioconda / Act 2: Sia gloria ai canti dei navaganti! | Amilcare Ponchielli, Luciano Pavarotti, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | F Major | 1 | 7B | 79 BPM | ||
| Bizet: Carmen, Act 1: "Sur la place, chacun passe, chacun vient, chacun va" (Moralès, Dragons) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Chor des Deutschen Staatsoper | B♭ Major | 1 | 6B | 109 BPM | ||
| Francesca da Rimini, Act II: O sciagura, sciagura! (Live) | Riccardo Zandonai, Leyla Gencer, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Coro del Teatro Lirico Giuseppe Verdi di Trieste, Mario Ferrara, Franco Capuana | D♭ Major | 5 | 3B | 87 BPM | ||
| Carmen, Act I: Finale. Le lieutenant! Prenez garde! | Georges Bizet, Jean Barney, Jean-Noel Sissia, Maria Laborit, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 175 BPM | ||
| Leoncavallo: I pagliacci, Act 1: "Qual fiamma avea nel guardo" - "Hui! Stridono lassù" (Nedda) | Ruggero Leoncavallo, Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | D♭ Major | 1 | 3B | 102 BPM | ||
| Gounod: Faust, Act 2: "Allons, amis ! Point de vaines alarmes !" (Wagner, Méphistophélès, Chœur) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, José van Dam, Marc Barrard, Orchestre Du Capitole De Toulouse | F Major | 2 | 7B | 94 BPM | ||
| Les Contes d'Hoffmann / Act 4: Hélas, mon coeur s'égare encore | Jacques Offenbach, Plácido Domingo, Justino Diaz, Edita Gruberova, Claudia Eder, Richard van Allan, Paul Crook, Choeur de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | D Major | 2 | 10B | 127 BPM | ||
| L'elisir d'amore / Act 1: "Caro elisir! Sei mio!" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 1 | 6B | 84 BPM | ||
| Tosca, Act I: Un tal baccano in chiesa! Bel rispetto! | Giacomo Puccini, Matteo Macchioni, Ludovic Tezier, Davide Giangregorio, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Francesca da Rimini, Act III: O Smaragdi, non torna? (Live) | Riccardo Zandonai, Orchestra Del Teatro Alla Scala, Milano, Magda Olivero, Gabriella Carturan, Gianandrea Gavazzeni | A Minor | 1 | 8A | 69 BPM | ||
| Francesca da Rimini, Op. 4, Act II, Scene 8: O sciagura! sciagura! (Francesca, Gianciotto, Malatestino, Chorus) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Philippe Roillon, Kenneth Riegel, Kammerchor Sofia | D Major | 1 | 10B | 74 BPM | ||
| Les Pêcheurs de perles, WD 13, Act I: Ô dieu Brahma! | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Julie Fuchs, Les Cris De Paris | G Major | 1 | 9B | 176 BPM | ||
| La Bohème / Act 4: "Vecchia zimarra, senti" - Live | Giacomo Puccini, Stéphane Degout, Vitalij Kowaljow, Bavarian Radio Symphony Orchestra, Bertrand de Billy | D♭ Minor | 1 | 12A | 169 BPM | ||
| Méhul: Ariodant, Act III: "Oh, Dieux! Ecoutez ma prière" (Edgard) | Étienne Nicolas Méhul, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg | F Minor | 2 | 4A | 81 BPM | ||
| Don Pasquale, Act II Prima Scena: E se fia che ad altro oggetto (Ernesto) | Gaetano Donizetti, Gösta Winbergh/Mirella Freni/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | D♭ Major | 2 | 3B | 134 BPM |