"String Quartet in G Major: IV. Allegro" by Riccardo Zandonai, Venice String Quartet had its release date on January 1, 2000. This song is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. This song is part of Verdi: String Quartet in E Minor / Puccini: Crisantemi / Zandonai: String Quartet in G Major by Venezia String Quartet. The song's track number on the album is #9 out of 9 tracks. Based on our data, Italy was the country where this track was produced or recorded. In terms of popularity, String Quartet in G Major: IV. Allegro is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since String Quartet in G Major: IV. Allegro by Riccardo Zandonai, Venice String Quartet has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With String Quartet in G Major: IV. Allegro being at 90 BPM, the half-time would be 45 BPM with a double-time of 180 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bellini: I puritani: "Sai com’arde in petto mio" (Elvira, Giorgio) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Bizet: Les pêcheurs de perles, Act 1: "Le ciel est bleu !" (Chœur, Nourabad, Nadir) | Georges Bizet, Pierre Dervaux, Chœur du Théâtre National de l’Opéra-Comique, Jacques Mars, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | F Major | 1 | 7B | 86 BPM | ||
| Lucia di Lammermoor / Act 2: "Ebben? - Di tua speranza" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Minor | 1 | 8A | 174 BPM | ||
| Il tabarro, SC 85: O Luigi! Luigi! ... Dimmi, perché gli hai chiesto | Giacomo Puccini, Jonathan Tetelman, Vida Miknevičiūtė, Önay Köse, PKF – Prague Philharmonia, Carlo Rizzi | F♯ Minor | 2 | 11A | 83 BPM | ||
| Lucia di Lammermoor / Act 3: "Ah! cessate quel contento" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 1 | 9B | 84 BPM | ||
| Andrea Chénier / Act 2: Ecco laggiù Gérard ... La donna che mi ha chiesto | Umberto Giordano, Giorgio Tadeo, Piero de Palma, Luciano Pavarotti, Leo Nucci, Tom Krause, Welsh National Opera Chorus, National Philharmonic Orchestra, Riccardo Chailly | B♭ Major | 3 | 6B | 92 BPM | ||
| Conchita: Arangi delle Canarie | Riccardo Zandonai, Lisa Houben, David Banos Marin, Camilla Antonini, Gabriela Aleo, Filippo Arlia, Orchestra Filarmonica della Calabria, Francesco Costa, Coro Lirico Siciliano | D♭ Major | 2 | 3B | 139 BPM | ||
| Bolivar, Op. 236: Berceuse | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | B Minor | 2 | 10A | 84 BPM | ||
| Wagner: Tristan und Isolde, Act 1: "Frisch weht der Wind der Heimat zu" - "Mir erkoren, mir verloren" (Der junge Seemann, Isolde, Brangäne) | Richard Wagner, Herbert von Karajan, Christa Ludwig, Helga Dernesch, Peter Schreier, Berliner Philharmoniker | C Major | 1 | 8B | 131 BPM | ||
| Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | ||
| Francesca da Rimini, Act I: Per la terra di maggio (Chorus) | Riccardo Zandonai, Orchestra Sinfonica Nazionale della RAI di Roma, Coro di Roma della RAI, Antonio Guarnieri | D Major | 1 | 10B | 134 BPM | ||
| Macbeth / Act II: Scena: "Perché mi sfuggi" | Giuseppe Verdi, Shirley Verrett, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E Minor | 0 | 9A | 89 BPM | ||
| Carmen / Act 2: Non, tu ne m'aimes pas! | Georges Bizet, Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 178 BPM | ||
| Rossini: Petite messe solennelle: IX. Credo in unum Deum | Gioachino Rossini, Antonio Pappano, Alex Esposito, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Francesco Meli, Marina Rebeka, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B Major | 2 | 1B | 131 BPM | ||
| Strauss, Johann II : Der Zigeunerbaron : Act 1 "So elend und so treu" [Saffi, Barinkay] | Johann Strauss II, Nikolaus Harnoncourt, Wiener Symphoniker | A Major | 0 | 11B | 125 BPM | ||
| Francesca da Rimini, Op. 4, Act III: L'hai tu veduto montare a cavallo | Riccardo Zandonai, Christina Vasileva, Viktória Mester, Philharmonisches Orchester Freiburg, Fabrice Bollon | D♭ Major | 3 | 3B | 83 BPM | ||
| Lucia di Lammermoor / Act 1: Ancor non giunse! | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | F Major | 5 | 7B | 79 BPM | ||
| Francesca da Rimini, Op. 4, Act I, Scene 8: Ohimè! Oimè! che adesso io provo (Francesca, Chorus) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Chor der Wiender Volksoper, Elena Filipova | A Minor | 0 | 8A | 173 BPM | ||
| Manon Lescaut / Act 2: Minuetto | Giacomo Puccini, Anthony Laciura, Giuseppe Taddei, Mirella Freni, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 146 BPM | ||
| Granados / Transcr. Bakish: 12 Tonadillas en estilo antiguo: No. 6, El mirar de la maja | Enrique Granados, Liat Cohen, Charles Castronovo | A Minor | 1 | 8A | 87 BPM | ||
| Mille diavoli ! Marmotta ! | Riccardo Zandonai, Gianandrea Gavazzeni | A Major | 1 | 11B | 95 BPM | ||
| Aida, Act I: Quale insolita gioia | Giuseppe Verdi, Elena Obraztsova, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | A♭ Major | 0 | 4B | 81 BPM | ||
| Priceless | Yakubu | E Major | 1 | 12B | 103 BPM | ||
| Carmen / Act 1: "Monsieur le brigadier?" / Duo:"Parle-moi de ma mère!" | Georges Bizet, Katia Ricciarelli, José Carreras, Jean Barney, Danièle Ajoret, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 81 BPM | ||
| Falla: La vida breve, Act I: "Vivan los que rien!" (Salud, Paco, Chorus) | Manuel de Falla, Marianne Crebassa, Choeur Du Capitole De Toulouse, Stanislas de Barbeyrac, Ben Glassberg, Orchestre National Du Capitole De Toulouse | A Minor | 2 | 8A | 189 BPM |