Alexander Raichev, Представителен ансамбъл на Българската народна армия, Васил Михайлов, Чавдар Маждраков's ' "Кантата Шипка: Поклонение" was released on its scheduled release date, December 6, 1988. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 6 in the song's album "Raichev - Tanev - Bayraktarov: Selected Cantatas". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Bulgaria. In terms of popularity, Кантата Шипка: Поклонение is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Кантата Шипка: Поклонение by Alexander Raichev, Представителен ансамбъл на Българската народна армия, Васил Михайлов, Чавдар Маждраков having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Adams: Grand Pianola Music: On the Dominant Divide | John Adams, London Sinfonietta | E♭ Major | 2 | 5B | 84 BPM | ||
| Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Aldo Ciccolini, Alexis Weissenberg, Orchestre De La Société Des Concerts Du Conservatoire, Georges Prêtre | A Minor | 0 | 8A | 86 BPM | ||
| Appalachian Spring: VIII. Coda. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 106 BPM | ||
| Roussel: Le festin de l'araignée, Op. 17, Pt. 2: XIII. Funérailles de l'Éphémère | Albert Roussel, Jean Martinon, Orchestre National de l'O.R.T.F. | D♭ Major | 2 | 3B | 99 BPM | ||
| Ecole militaire 3 | Henri Seroka | C Major | 0 | 8B | 107 BPM | ||
| My Castle Town | TheDancingFishstick | C Minor | 1 | 5A | 137 BPM | ||
| Kulikov: The Linden Tree - Edit | Osipov State Russian Folk Orchestra, Vitaly Gnutov | F♯ Minor | 3 | 11A | 135 BPM | ||
| Bizet - L'Arlesienne Suite #1 | Hollywood Strings Orchestra | A♭ Major | 2 | 4B | 153 BPM | ||
| 夢の用心! | HOYO-MiX | F Major | 4 | 7B | 69 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
| Imperial Attack | John Williams, London Symphony Orchestra | E Major | 2 | 12B | 82 BPM | ||
| Donausagen, Op. 446 | Carl Michael Ziehrer, Robert Stolz | G Major | 3 | 9B | 88 BPM | ||
| Funeral (From "Barry Lyndon") | Hollywood Symphony Orchestra | D Minor | 3 | 7A | 83 BPM | ||
| La symphonie de Lupin | Mathieu Lamboley | D♭ Major | 4 | 3B | 87 BPM | ||
| Hungarian Dance No.14 In D Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | C Major | 4 | 8B | 88 BPM | ||
| Giselle - Act 2: No. 15 Grand pas de deux: a) Andante | Adolphe Adam, London Symphony Orchestra, Anatole Fistoulari | A♭ Major | 1 | 4B | 116 BPM | ||
| Clarinet Concerto In A, K.622: 2. Adagio - Live | Wolfgang Amadeus Mozart, Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein | A Major | 1 | 11B | 124 BPM | ||
| Meditation From 'Thais' (沉思曲) | 純音樂 | D Major | 1 | 10B | 100 BPM | ||
| Valsa Do Adeus | Simonetti | A♭ Major | 1 | 4B | 84 BPM | ||
| The Firebird Suite: VI. Berceuse | Igor Stravinsky, Rundfunk-Sinfonieorchester Berlin, Lorin Maazel | C Minor | 4 | 5A | 162 BPM | ||
| The Walls Converge | John Williams, London Symphony Orchestra | D Major | 1 | 10B | 96 BPM | ||
| Bicycle Chase & End Credits - From "E.T.: The Extra-Terrestrial" | The City of Prague Philharmonic Orchestra | D Major | 0 | 10B | 100 BPM | ||
| Hänsel und Gretel: Children's Prayer - Instrumental | Engelbert Humperdinck, Andre Kostelanetz, New York Philharmonic, Andre Kostelanetz & His Orchestra | D Major | 1 | 10B | 81 BPM | ||
| The Godfather: VII. The Godfather Waltz | Nino Rota, Riccardo Muti, Massimo Colombo, Filarmonica della Scala, Milan La Scala Philharmonic Orchestra | G Minor | 0 | 6A | 75 BPM | ||
| Pelléas et Mélisande, Suite, Op. 46: VI. Pastorale | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 182 BPM |