"Storm Is Coming" by Junkie XL had its release date on May 12, 2015. This song is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. The track order of this song in Junkie XL's "Mad Max: Fury Road (Original Motion Picture Soundtrack)" album is number 6 out of 17. On top of that, United States appears to be the country where this track was created. Based on our statistics, Storm Is Coming's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Storm Is Coming by Junkie XL to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kruger Suits Up | Ryan Amon | D♭ Major | 5 | 3B | 100 BPM | ||
| First Regression | Jed Kurzel | D Major | 5 | 10B | 90 BPM | ||
| Blood Bag | Junkie XL | D♭ Major | 9 | 3B | 125 BPM | ||
| Imminence | Really Slow Motion | E Minor | 6 | 9A | 170 BPM | ||
| To Victory | Tyler Bates | D♭ Major | 9 | 3B | 140 BPM | ||
| Long Live the Empire | Ludwig Goransson | F Major | 3 | 7B | 105 BPM | ||
| One Speed | Graeme Revell | C Minor | 7 | 5A | 100 BPM | ||
| I'm All Fired Up | Pinar Toprak | B♭ Major | 3 | 6B | 118 BPM | ||
| Hunt the Dark Knight III | Christopher Drake | D Major | 9 | 10B | 98 BPM | ||
| Their War Here | Hans Zimmer, Junkie XL | A♭ Major | 5 | 4B | 80 BPM | ||
| Catch Up | Natalie Holt | G Minor | 5 | 6A | 100 BPM | ||
| Crossing Mars | Harry Gregson-Williams | C Minor | 1 | 5A | 70 BPM | ||
| Preparation for Attack | Alexandre Desplat | D♭ Major | 1 | 3B | 156 BPM | ||
| Suicide Mission | Jack Wall | D Minor | 5 | 7A | 117 BPM | ||
| Young Cal | Jed Kurzel | D♭ Major | 2 | 3B | 90 BPM | ||
| Refraction | Joseph Trapanese | C Minor | 5 | 5A | 77 BPM | ||
| Takedown | Tom Player | A♭ Major | 4 | 4B | 145 BPM | ||
| Tokyo | Tomandandy | E♭ Major | 6 | 5B | 151 BPM | ||
| The Machination | NINJA TRACKS | A♭ Major | 6 | 4B | 64 BPM | ||
| The Leftovers (Main Title Theme) | Max Richter | G Minor | 3 | 6A | 98 BPM | ||
| I'd Like Them Dead | Ryan Amon | D♭ Major | 5 | 3B | 100 BPM | ||
| Planet 4/Main Theme | Jed Kurzel | B♭ Minor | 2 | 3A | 56 BPM | ||
| Troopers | Ludwig Göransson | D♭ Major | 3 | 3B | 139 BPM | ||
| Shawshank Redemption | Thomas Newman | F♯ Major | 0 | 2B | 82 BPM | ||
| Salazar | Geoff Zanelli | E♭ Major | 2 | 5B | 88 BPM |