"Procession & Obsequis - Instrumental" by Cesare Andrea Bixio, Elliot Goldenthal, Steven Mercurio, Jonathan Sheffer, London Metropolitan Orchestra, The Mask Orchestra had its release date on January 3, 2000. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Titus - Original Motion Picture Soundtrack". In this album, this song's track order is #2. Procession & Obsequis - Instrumental is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Procession & Obsequis - Instrumental by Cesare Andrea Bixio, Elliot Goldenthal, Steven Mercurio, Jonathan Sheffer, London Metropolitan Orchestra, The Mask Orchestra having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | F Major | 1 | 7B | 190 BPM | ||
| Flotow: Martha / Act 3 - "M'appari" | Luciano Pavarotti, Richard Bonynge, New Philharmonia Orchestra | E Major | 3 | 12B | 125 BPM | ||
| El Barberillo de Lavapiés: "Canción de Paloma" | Teresa Berganza | A Major | 5 | 11B | 144 BPM | ||
| Core 'ngrato | Mario del Monaco | B♭ Major | 3 | 6B | 134 BPM | ||
| Tosca / Act 3: "E lucevan le stelle" | Giacomo Puccini, Franco Corelli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lorin Maazel | B Minor | 1 | 10A | 84 BPM | ||
| Don Giovanni, ossia Il dissoluto punito, K. 527 / Act II: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Anna Netrebko, Thomas Quasthoff, Staatskapelle Dresden, Sebastian Weigle | A Major | 1 | 11B | 109 BPM | ||
| Il barbiere di Siviglia: Largo al factotum - Remastered | Gioachino Rossini, Erich Leinsdorf | C Major | 3 | 8B | 66 BPM | ||
| Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (Contessa) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 3 | 9B | 83 BPM | ||
| Fedora, Act II: Amor ti vieta | Umberto Giordano, Mario Lanza, Ray Heindorf | C Major | 3 | 8B | 86 BPM | ||
| Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM | ||
| Puccini's Manon Lescaut - Donna Non Vidi Mai | Carlo Bergonzi | B♭ Major | 3 | 6B | 116 BPM | ||
| Andrea Chenier (1997 Digital Remaster): La mamma morta | Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Major | 1 | 10B | 79 BPM | ||
| Marechiare | Salvatore di Giacomo, Roberto Alagna, London Orchestra, Yvan Cassar | A Minor | 6 | 8A | 145 BPM | ||
| Manon Lescaut / Act 1: Donna non vidi mai | Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 3 | 6B | 79 BPM | ||
| Medley: Cats - Ochi tchorniye - Caminito - La vie en rose | Andrew Lloyd Webber, Traditional, Louiguy, Juan De Dios Filiberto, José Carreras, Plácido Domingo, Luciano Pavarotti, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino | D Minor | 3 | 7A | 91 BPM | ||
| La Traviata: "Libiamo Libiamo" | Enrico Caruso | B♭ Major | 3 | 6B | 103 BPM | ||
| Lehár: Das Land des Lächelns - Sung in Italian: "Tu che m'hai preso il cor" | Franz Lehár, Luciano Pavarotti, Royal Philharmonic Orchestra, Maurizio Benini | D♭ Major | 3 | 3B | 86 BPM | ||
| Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM | ||
| De Curtis / Arr. Mancini: Non ti scordar di me (Live) | Ernesto de Curtis, Luciano Pavarotti, Zubin Mehta, Los Angeles Philharmonic | A Major | 3 | 11B | 82 BPM | ||
| Torna a Surriento | Ernesto de Curtis, Juan Diego Flórez, Filarmonica Gioachino Rossini, Carlo Tenan | E Major | 2 | 12B | 91 BPM | ||
| Tosca / Act 3: "E lucevan le stelle" | Giacomo Puccini, Luciano Pavarotti, Royal Philharmonic Orchestra, Leone Magiera | B Minor | 1 | 10A | 90 BPM | ||
| O sole mio (Arr. P. Breiner) | Eduardo di Capua, Takako Nishizaki, Polish National Radio Symphony Orchestra, Peter Breiner | A Major | 2 | 11B | 127 BPM | ||
| A. Vucchella | Katia Ricciarelli | F Major | 2 | 7B | 96 BPM | ||
| Voce 'e notte (Arr. Chiaramello) | Ernesto de Curtis, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | A Minor | 3 | 8A | 137 BPM | ||
| 'La Tarántula', De La Tempranica | Victoria de los Ángeles | C Major | 3 | 8B | 75 BPM |