石元丈晴's ' "「Ragnarok」 from FINAL FANTASY XI - arrange" was released on its scheduled release date, 1987. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 37 out of 105 in DISSIDIA FINAL FANTASY NT Original Soundtrack by SQUARE ENIX MUSIC. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, 「Ragnarok」 from FINAL FANTASY XI - arrange's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of 「Ragnarok」 from FINAL FANTASY XI - arrange by 石元丈晴 is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 「クリスタルタワー」from FINAL FANTASY III - arrange | 石元丈晴 | A Minor | 9 | 8A | 145 BPM | ||
| Prelude to the Blossoming Attorney | Yasumasa Kitagawa | B♭ Major | 3 | 6B | 150 BPM | ||
| AA Pillar | LEVEL NINE, Corners Groove | B♭ Minor | 9 | 3A | 128 BPM | ||
| Battle with Anne, Redux | ryo | E Major | 9 | 12B | 97 BPM | ||
| Break the Limit! | Junpei Fujita | A Minor | 9 | 8A | 94 BPM | ||
| Soul Ablaze | Kawakami Ryo | F♯ Major | 9 | 2B | 208 BPM | ||
| Onslaught - Band Exvius Version | 上松 範康 | E Minor | 10 | 9A | 90 BPM | ||
| Blood on the Keys | 桜庭 統 | D Minor | 1 | 7A | 64 BPM | ||
| 「Ultema The Nice Body」 from FINAL FANTASY TACTICS - arrange | 石元丈晴 | D Major | 7 | 10B | 135 BPM | ||
| Perpetual Battlefield | 鈴木光人 | B♭ Minor | 8 | 3A | 160 BPM | ||
| here she comes(KOS-MOS) | 梶浦 由記 | D Major | 8 | 10B | 150 BPM | ||
| 「Maybe I'm a Lion」 from FINAL FANTASY VIII - arrange | 河盛慶次 | A♭ Major | 10 | 4B | 130 BPM | ||
| The Trials of the Shield | 柴田 徹也 | E♭ Major | 9 | 5B | 120 BPM | ||
| Le Grand Jeu | RYO | D Minor | 8 | 7A | 95 BPM | ||
| Those Who Stand Against the Darkness | 土屋俊輔 | B Minor | 9 | 10A | 96 BPM | ||
| Precipitous Combat | 崎元 仁 | F Minor | 5 | 4A | 80 BPM | ||
| The Fifth Primarch | Tsutomu Narita, グランブルーファンタジー | C Major | 7 | 8B | 160 BPM | ||
| Let the Battles Begin! - Battle Medley (FINAL FANTASY VII REMAKE) | Arnie Roth, Distant Worlds Philharmonic Orchestra | D Major | 2 | 10B | 129 BPM | ||
| 「バトル2 - arrange -」 from FINAL FANTASY Ⅴ | 河盛慶次 | E Minor | 9 | 9A | 168 BPM | ||
| FFVII REMAKE: Tightrope | 島 翔太朗 | F Minor | 5 | 4A | 130 BPM | ||
| Ares | Yasunori Nishiki | B♭ Major | 9 | 6B | 82 BPM | ||
| Daemons - Eternal Darkness | 鈴木克崇 | F Minor | 7 | 4A | 120 BPM | ||
| Re:Birth II - バトル2 from Romancing Sa・Ga 3 | 伊藤 賢治 | A Minor | 8 | 8A | 153 BPM | ||
| FFVII REMAKE: Mako Reactor 1 - Battle Edit | 植松 伸夫 | F Minor | 3 | 4A | 125 BPM | ||
| Enemy Attack | 仲野順也 | G Minor | 8 | 6A | 153 BPM |