On 1924, the song "When" was released by Paul Whiteman & His Orchestra, Bix Beiderbecke. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. When's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "The Indispensable Bix Beiderbecke (1925-1930)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, When is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With When by Paul Whiteman & His Orchestra, Bix Beiderbecke having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| With the Wind and the Rain In Your Hair | Bob Crosby | A Minor | 3 | 8A | 122 BPM | ||
| I Left My Sugar Standing In the Rain (Recorded October 1927) | Esther Walker | D Major | 1 | 10B | 97 BPM | ||
| At Last | Charlie Spivak & His Orchestra | A Major | 2 | 11B | 81 BPM | ||
| Long Ago & Far Away | Geraldo & His Orchestra | A♭ Minor | 1 | 1A | 103 BPM | ||
| Saturday Night | Frankie Carle and His Orchestra | G Minor | 2 | 6A | 140 BPM | ||
| Little Pal | Philip Lewis/Rhythm Maniacs | B♭ Major | 5 | 6B | 117 BPM | ||
| When Eyes Af Blue Are Foolin' You | Howard Lanin Orchestra | D♭ Major | 1 | 3B | 119 BPM | ||
| Lover Come Back to Me | Paul Whiteman | E♭ Major | 2 | 5B | 76 BPM | ||
| One Little Word Led to Another | Billy Cotton & His Band | F Major | 3 | 7B | 210 BPM | ||
| You Made Me Love You | The Merry Macs | G Major | 2 | 9B | 81 BPM | ||
| Under A Texas Moon | Hal Kemp And His Orchestra | E♭ Major | 1 | 5B | 139 BPM | ||
| Pop Goes Your Heart | Lew Stone & His Band | A♭ Major | 2 | 4B | 137 BPM | ||
| Camel Walk | Art Landry And His Orchestra | B♭ Major | 2 | 6B | 122 BPM | ||
| Four Or Five Times | Jimmie Lunceford | F Major | 1 | 7B | 131 BPM | ||
| Momma Goes Where Papa Goes or Papa Don't Go Out Tonight (Recorded December 1923) | Jane Green | F Major | 1 | 7B | 116 BPM | ||
| I Married the Bootlegger's Daughter | Frank Crumit | F Major | 1 | 7B | 131 BPM | ||
| Melancholy Lullaby | Benny Carter | C Minor | 1 | 5A | 75 BPM | ||
| The Varsity Drag | George Olsen and His Music | E♭ Major | 2 | 5B | 108 BPM | ||
| Sugar | Paul Whiteman & His Orchestra | F Major | 1 | 7B | 131 BPM | ||
| Avalon (02-27-28) | Red Nichols | D Major | 9 | 10B | 129 BPM | ||
| You Turned the Tables on Me | Tex Beneke | F Major | 1 | 7B | 131 BPM | ||
| Charleston | Paul Whiteman & His Orchestra | B♭ Major | 4 | 6B | 210 BPM | ||
| I Can't Believe That You're in Love With Me | Jack Payne | G Major | 3 | 9B | 124 BPM | ||
| The Camera Doesn`t Lie | Buddy Clark | E♭ Major | 2 | 5B | 92 BPM | ||
| (You're Some) Pretty Doll | Eddie Condon | F Major | 1 | 7B | 131 BPM |