"Violin Concerto in B-Flat Major, Op. 24: I. Moderato" by Ruth Gipps, Charlie Lovell-Jones, BBC Philharmonic, Rumon Gamba had its release date on April 11, 2025. This song appears to be safe for all ages as it is not explicit. The track order of this song in Ruth Gipps, Charlie Lovell-Jones, Bill Anderson, BBC Philharmonic, Rumon Gamba's "Gipps: Orchestral Works, Vol. 4" album is number 1 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Violin Concerto in B-Flat Major, Op. 24: I. Moderato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Concerto in B-Flat Major, Op. 24: I. Moderato by Ruth Gipps, Charlie Lovell-Jones, BBC Philharmonic, Rumon Gamba to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 1 | 9A | 96 BPM | ||
| Copland: Symphony No. 3: I. Molto moderato, with simple expression | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | A Major | 1 | 11B | 82 BPM | ||
| Elegy for English Horn, Harp & String Orchestra | Peter Boyer, Christine Pendrill, Bryn Lewis, London Symphony Orchestra | A Minor | 1 | 8A | 98 BPM | ||
| A Cotswold Hill Tune | Charles Wilfrid Orr, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 1 | 9B | 81 BPM | ||
| Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM | ||
| Symphony No. 4 in C Major, Op. 112: II. Andante tranquillo | Sergei Prokofiev, Franz Welser-Möst, The Cleveland Orchestra | C Major | 1 | 8B | 126 BPM | ||
| Masquerade | Anna Clyne, BBC Symphony Orchestra, Marin Alsop | G Major | 4 | 9B | 116 BPM | ||
| Gli uccelli, P. 154: II. La colomba. Andante expressivo (The Birds) | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | F♯ Minor | 1 | 11A | 58 BPM | ||
| English Pastoral Impressions: I. Spring Morning | John Farrar, Alasdair Mitchell, Philharmonic Orchestra, Howard Shelley | E♭ Major | 0 | 5B | 101 BPM | ||
| Miške, MKČ 101: I. Exposition, Main Theme. Lento assai | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Spring Fire, GP 153: IV. Woodland Love. Romance | Vernon Handley, Royal Philharmonic Orchestra | F♯ Minor | 0 | 11A | 68 BPM | ||
| Horn Concerto, Op. 58: I. Con moto | Ruth Gipps, Martin Owen, BBC Philharmonic, Rumon Gamba | F♯ Minor | 0 | 11A | 135 BPM | ||
| Fontane di Roma, P. 106: I. La fontana di Valle Giulia all'alba | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | F♯ Major | 2 | 2B | 73 BPM | ||
| Suffolk Suite: II. Orford Ness. Allegretto grazioso | Doreen Carwithen, Richard Hickox, London Symphony Orchestra | G Major | 0 | 9B | 78 BPM | ||
| Masques et Bergamasques, suite, Op.112: 1. Ouverture | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 2 | 7B | 69 BPM | ||
| Woodland Suite: III. Moon-Fairy | George Dyson, BBC Symphony Orchestra, Richard Hickox | A Major | 0 | 11B | 74 BPM | ||
| DANCE: V. when you’re perfectly free | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | G Major | 3 | 9B | 113 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
| Symphony in E Minor, Op. 32, "Gaelic Symphony": II. Alla siciliana - Allegro vivace - Andante | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | F Major | 0 | 7B | 122 BPM | ||
| Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 142 BPM | ||
| Holberg Suite, Op. 40: IV. Air (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Minor | 0 | 6A | 84 BPM | ||
| Violin Concerto No. 1 in D Major: II. Andante | Florence Beatrice Price, Er-Gene Kahng, Ryan Cockerham, The Janacek Philharmonic | B♭ Major | 1 | 6B | 79 BPM | ||
| Quintet for Oboe, Clarinet & String Trio, Op. 16: I. Allegro | Ruth Gipps, Peter Cigleris, Gareth Hulse, John Mills, Lydia Lowndes-Northcott, Bozidar Vukotic | B♭ Minor | 1 | 3A | 69 BPM | ||
| Two Lyric pieces Op. 68: I. Evening in the Mountains: Andantino | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi, Marten Larsson | D Minor | 2 | 7A | 140 BPM | ||
| Romeo and Juliet Suite No. 2, Op. 64ter: VII. Romeo at Juliet's Grave | Sergei Prokofiev, Bergen Philharmonic Orchestra, Andrew Litton | D Major | 1 | 10B | 104 BPM |