"Tear It Down" by Mark Isham had its release date on January 1, 2001. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Mark Isham's "Life As A House (Original Motion Picture Soundtrack)" album is number 3 out of 13. On top of that, United States appears to be the country where this track was created. In terms of popularity, Tear It Down is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tear It Down by Mark Isham to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Game of Cricket (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Gabrielle Lester, Marcia Crayford | D Major | 2 | 10B | 151 BPM | ||
| How I Love You Now | Mark Isham | A Minor | 0 | 8A | 84 BPM | ||
| John And Savannah | Deborah Lurie | E♭ Major | 1 | 5B | 78 BPM | ||
| Reunión y final | Fernando Velázquez | C Major | 1 | 8B | 69 BPM | ||
| Combe Magna - Instrumental | Patrick Doyle, Robert Ziegler, Tony Hymas, Jonathan Snowdon, Robert Hill, Richard Morgan | D Minor | 2 | 7A | 127 BPM | ||
| Seretse and Ruth | Patrick Doyle | D♭ Minor | 2 | 12A | 59 BPM | ||
| St. Vincent of Sheepshead Bay | Theodore Shapiro | D Major | 1 | 10B | 69 BPM | ||
| Cloud Atlas End Title | Tom Tykwer, Johnny Klimek, Reinhold Heil, Gene Pritsker | C Major | 2 | 8B | 83 BPM | ||
| The Stars and the Moon | Marcelo Zarvos | G Major | 2 | 9B | 120 BPM | ||
| Goodbye Savannah | Deborah Lurie | A Minor | 0 | 8A | 97 BPM | ||
| I Was Not Brave | Harald Kloser, Thomas Wander | G Minor | 1 | 6A | 55 BPM | ||
| Is There Somebody We Could Call? | Fernando Velázquez | D♭ Minor | 1 | 12A | 105 BPM | ||
| Rescue | London Metropolitan Orchestra | D Minor | 2 | 7A | 126 BPM | ||
| The Moment That Could Not Last | Mark Isham | G Major | 4 | 9B | 133 BPM | ||
| Main Title | William Ross | A Major | 1 | 11B | 172 BPM | ||
| End Credits (From "The Cider House Rules" Score) | Rachel Portman, John Lenehan, David Snell | C Major | 1 | 8B | 141 BPM | ||
| Neverland - Piano Variation In Blue - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | C Major | 1 | 8B | 121 BPM | ||
| Town Of Austere ("Fireflies In The Garden") | Alexander Malter, Vincent Trio, Dresdner Sinfoniker, Jonathan Stockhammer | A Minor | 1 | 8A | 120 BPM | ||
| Hall's Plan | Harald Kloser | E♭ Major | 1 | 5B | 95 BPM | ||
| Reunited | Alex Wurman | E Major | 0 | 12B | 107 BPM | ||
| Adore | Christopher Gordon | D♭ Major | 2 | 3B | 109 BPM | ||
| Please Wait | Patrick Doyle | G Minor | 1 | 6A | 80 BPM | ||
| Twenty Years Later (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan | G Minor | 1 | 6A | 48 BPM | ||
| So Much Is Possible | Geoff Zanelli | E Major | 2 | 12B | 99 BPM | ||
| The Nomination | W.G. Snuffy Walden | G Major | 1 | 9B | 99 BPM |