"Sweet Beginning" by Thomas Hewitt Jones had its release date on December 1, 2019. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Sweet Beginning's duration is considered a little bit shorter than the average duration of a typical track. This song is part of World of Waltzes by Thomas Hewitt Jones, Patrick Holland. The song's track number on the album is #1 out of 16 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Sweet Beginning is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sweet Beginning by Thomas Hewitt Jones has a tempo of 93 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sweet Beginning being at 93 BPM, the half-time would be 46 BPM with a double-time of 186 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| None Other Lamb (Arr. for Choir by Dan Forrest) | William Jeater, Beckenhorst Singers, Craig Courtney | D Major | 0 | 10B | 67 BPM | ||
| Dies Natalis, Op. 8 - Arr. Sheppard: 5. The Salutation - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | G Major | 1 | 9B | 112 BPM | ||
| Song 9 - Arr. for Vocal Ensemble by Patrick Dunachie | Orlando Gibbons, The King's Singers | D Major | 0 | 10B | 67 BPM | ||
| A Hymn to the Virgin | Benjamin Britten, Phoenix Chorale, Charles Bruffy, Kira Rugen, Amy Perciballi, Robert Comeaux, David Topping | E Major | 0 | 12B | 88 BPM | ||
| Andante Festivo JS 34b - Live | Jean Sibelius, Yamagata Symphony Orchestra, Chiaki Murakawa | G Major | 1 | 9B | 77 BPM | ||
| Til We Meet Again | Simon Daum | A Major | 2 | 11B | 130 BPM | ||
| Requiem: II. Out of the deep | Eleanor Daley, The Choir of Royal Holloway, Rupert Gough, Marcus Coleridge | D Major | 0 | 10B | 83 BPM | ||
| O Sing to the Lord | Lucy Walker, St Martin's Voices, Andrew Earis | G Major | 1 | 9B | 88 BPM | ||
| The Mass: Gloria | Patrick Cassidy, Laude, David Harris, Christoph Bull | C Minor | 1 | 5A | 76 BPM | ||
| Alleluia | Michael John Trotta | G Major | 1 | 9B | 138 BPM | ||
| Saeterjentens Sondag | Johan Svendsen, Neeme Järvi, Bergen Philharmonic Orchestra, Melina Mandozzi | D Major | 0 | 10B | 95 BPM | ||
| Tomorrow shall be my dancing day - Bonus Track | John Rutter, Graham Ross, Emily Coatsworth, Choir of Clare College, Cambridge | A♭ Major | 1 | 4B | 88 BPM | ||
| Liturgical Chants: Ave Maria | Valentin Silvestrov, Kārlis Rūtentāls, Latvian Radio Choir, Sigvards Kļava | B Minor | 0 | 10A | 127 BPM | ||
| Christmas Morning | Alexandra Harwood | A♭ Major | 2 | 4B | 70 BPM | ||
| O Come, Divine Messiah | James Biery, St. Ignatius Loyola Children's Choir, Nancianne Parrella, Michael Sheetz, Mary Huff | A Major | 2 | 11B | 136 BPM | ||
| I Have Never Loved Someone: I Have Never Loved Someone (Arr. for Choir by Nate Thacher) | Shara Nova, Conspirare, Craig Hella Johnson | E Major | 1 | 12B | 175 BPM | ||
| Puppy Cuddles | Funny Song Studio, Sounds Reel, Thomas Hewitt Jones | G Major | 3 | 9B | 147 BPM | ||
| God Rest You Merry Gentlemen | The Choir of All Saints' Episcopal Church | F Minor | 2 | 4A | 114 BPM | ||
| Ave Maria C | Ryan Marvel, Heidi Mausbach | C Major | 1 | 8B | 122 BPM | ||
| Jesus refulsit omnium | Steven Griffin, The Choir of Magdalen College, Oxford, Mark Williams | F Major | 2 | 7B | 76 BPM | ||
| Der Nussknacker, Op. 71: VIII. Im Tannenwald | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, Markus Poschner | C Major | 2 | 8B | 108 BPM | ||
| The Mass: Laudamus Te | Patrick Cassidy | D Minor | 1 | 7A | 83 BPM | ||
| Inventions for Choir & Piano: No. 1, The Silence Moves | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | F Major | 2 | 7B | 89 BPM | ||
| Bloch: Prayer (From Jewish Life) | Ernest Bloch, Poyraz Baltacıgil | F Minor | 1 | 4A | 134 BPM | ||
| All-Night Vigil, Op. 37: III. Blessed is the man | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Toby Vaughn Kidd | D♭ Minor | 0 | 12A | 76 BPM |