Ned Rorem, The Prince Consort's 'Catullus: On the Burial of his Brother' had a release date set for November 2, 2009. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Catullus: On the Burial of his Brother's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Ned Rorem: On and Echoing Road". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Catullus: On the Burial of his Brother's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Catullus: On the Burial of his Brother by Ned Rorem, The Prince Consort having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ethereal Reverie | Sebastian Verneau | D Major | 3 | 10B | 153 BPM | ||
| Blumenleben, Op. 19: No. 2, Veilchen | Dora Pejačević, Natasa Veljkovic | B♭ Major | 0 | 6B | 171 BPM | ||
| Cello Concerto, Op. 22: II. Andante sostenuto | Samuel Barber, Baltimore Symphony Orchestra, Yo-Yo Ma, David Zinman | F♯ Minor | 0 | 11A | 88 BPM | ||
| The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
| Sonata Santera: III. Bembe | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Preludes: Prelude No. 5 | Federico Mompou, Olena Kushpler | D Minor | 0 | 7A | 72 BPM | ||
| Piano Quartet No. 2 in G Minor, Op. 45: III. Adagio non troppo | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
| Dove: Figures in the Garden: VII. Nocturne. Figaro and Susanna | Jonathan Dove, Antony Pay, Orchestra of the Age of Enlightenment | D♭ Major | 0 | 3B | 81 BPM | ||
| 10 Pensées Lyriques, Op. 40: V. Berceuse | Jean Sibelius, James Ehnes, Andrew Armstrong | A Major | 2 | 11B | 103 BPM | ||
| Hassan, RTI/9: Serenade (Arr. Thomas Beecham) | Frederick Delius, Sir Thomas Beecham, Adelaide Symphony Orchestra, Alan Smith, Ron Spigelman | F Major | 0 | 7B | 84 BPM | ||
| Scenes de la foret, Op. 123: No. 1, Nocturne | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra | A♭ Major | 0 | 4B | 60 BPM | ||
| Le tombeau de Couperin, M. 68: V. Menuet (Arr. for Wind Ensemble by Mason Jones) | Maurice Ravel, Ensemble Ouranos | G Minor | 1 | 6A | 76 BPM | ||
| Soliloquy for Oboe and Orchestra (Orch. by Gordon Jacob) | Edward Elgar, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | A Minor | 0 | 8A | 76 BPM | ||
| Duo Concertant, K054: V. Dithyrambe | Igor Stravinsky, Tamsin Waley-Cohen, Huw Watkins | G Minor | 1 | 6A | 76 BPM | ||
| 24 Dainas: Daina No. 11, Tranquillo | Janis Medins, Arta Arnicane | G Minor | 1 | 6A | 76 BPM | ||
| Le roi d'Ys, Act III: Vainement, ma bien-aimiee, "Aubade" (arr. J. Szigeti for violin) | Joseph Szigeti, Édouard Lalo, Livia Sohn, Benjamin Loeb | D Major | 0 | 10B | 82 BPM | ||
| Pavane pour une infante défunte, M. 19 (Arr. for Wind Ensemble by Guy du Cheyron) | Maurice Ravel, Ensemble Ouranos | G Minor | 1 | 6A | 76 BPM | ||
| Violin Concerto in D Major, Op. 35: II. Romanze. Andante | Erich Wolfgang Korngold, Vadim Gluzman, Hague Residentie Orchestra, Neeme Järvi | G Major | 0 | 9B | 86 BPM | ||
| Petit Quatour pour Saxophones - Arr. Rainer Schottstadt: 2. Cantilène | Jean Françaix, The Clarinotts | F Minor | 0 | 4A | 134 BPM | ||
| Danzas Argentinas, Op. 2: No. 2, Danza de la moza donosa | Alberto Ginastera, Luca Sacher | E Minor | 0 | 9A | 140 BPM | ||
| Songs of Love: IV. Then Time Stopped (Version for Saxophone Quartet) | Pēteris Vasks, Signum Saxophone Quartet | F♯ Minor | 0 | 11A | 77 BPM | ||
| Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | ||
| Five Little Pieces (2006 - Remaster): 4. Lullaby for a Modern Baby (Very slow) | Frederick Delius, Bournemouth Sinfonietta/Eric Fenby/Elena Duran, Eric Fenby, Bournemouth Sinfonietta | G Major | 0 | 9B | 79 BPM | ||
| Satie: Préludes flasques (pour un chien): No. 3, Chanson canine | Erik Satie, Michel Legrand | C Major | 2 | 8B | 121 BPM | ||
| Pie Jesu from Requiem, Op. 48 | Gabriel Fauré, Louis Lortie | B♭ Major | 0 | 6B | 74 BPM |