"The Apple" by Aaron Zigman had its release date on January 1, 2006. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 18 in Flicka (Original Motion Picture Score) by Aaron Zigman. The Apple is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Apple by Aaron Zigman is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Kept Writing | Deborah Lurie | C Major | 0 | 8B | 71 BPM | ||
| Orphaned | Patrick Doyle | A Minor | 0 | 8A | 82 BPM | ||
| We Had Today | Rachel Portman | D Major | 1 | 10B | 81 BPM | ||
| Japan | Jan A.P. Kaczmarek | A Minor | 2 | 8A | 75 BPM | ||
| Colette | Thomas Adès | D♭ Major | 0 | 3B | 131 BPM | ||
| Her Eyes | Emilio Kauderer, Federico Jusid, Sebastian Kauderer | E♭ Major | 0 | 5B | 64 BPM | ||
| Rowing | Jóhann Jóhannsson | G Minor | 3 | 6A | 138 BPM | ||
| Main Title | Aaron Zigman | C Major | 2 | 8B | 111 BPM | ||
| Opening Title - From "Dear Frankie" | Alex Heffes | A Major | 3 | 11B | 67 BPM | ||
| It's A Real Job - Score | John Debney | C Major | 0 | 8B | 48 BPM | ||
| Don't Ever Let Me Go | Marcelo Zarvos | E Minor | 1 | 9A | 183 BPM | ||
| In the World | Stephen Rennicks | A♭ Major | 1 | 4B | 71 BPM | ||
| We Keep in Touch, Okay ? | Ralf Wengenmayr | G Major | 0 | 9B | 73 BPM | ||
| The Princess Diaries Waltz - Score | John Debney | A Major | 2 | 11B | 137 BPM | ||
| Shakespeare In Love: End Credits - From "Shakespeare In Love" | Stephen Warbeck | F♯ Major | 1 | 2B | 120 BPM | ||
| Ella and Kit | Patrick Doyle | D Major | 0 | 10B | 78 BPM | ||
| No Pain | Carlo Siliotto | E Major | 1 | 12B | 180 BPM | ||
| A Steep But Beautiful Climb | Randy Edelman | C Major | 1 | 8B | 81 BPM | ||
| Tomorrow | Alexandre Desplat, Aaron Zigman | C Major | 0 | 8B | 61 BPM | ||
| Main Title (The Notebook) | Aaron Zigman | C Major | 0 | 8B | 59 BPM | ||
| Empty Store | George Fenton | G Major | 1 | 9B | 82 BPM | ||
| An Early Sunrise | Randy Edelman | F Major | 1 | 7B | 75 BPM | ||
| Me Before You Orchestral | Craig Armstrong | C Major | 1 | 8B | 73 BPM | ||
| Angels | Carlo Siliotto | A Major | 1 | 11B | 154 BPM | ||
| It Was Me | John Powell | A Major | 1 | 11B | 91 BPM |