"It's A Real Job - Score" by John Debney had its release date on January 1, 2001. With This song being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "The Princess Diaries". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United States. It's A Real Job - Score is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With It's A Real Job - Score by John Debney having a BPM of 48 with a half-time of 24 BPM and a double-time of 96 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| It Was Always Tate - From The Motion Picture “Where The Crawdads Sing” | Mychael Danna | E Minor | 1 | 9A | 98 BPM | ||
| The Story of Peter Rabbit | Nigel Westlake | D Minor | 1 | 7A | 139 BPM | ||
| Alex Hurts Rose | The Mirror Has Two Faces (Soundtrack) | D Major | 0 | 10B | 49 BPM | ||
| Patti Arrives | Christophe Beck | A Major | 0 | 11B | 109 BPM | ||
| Nineteen Twelve | John Barry, John Debney, Royal Scottish National Orchestra | C Major | 2 | 8B | 77 BPM | ||
| Echoes in Time | Astrid Voix | D Major | 0 | 10B | 85 BPM | ||
| I Met Someone (From "Return to Me") | Nicholas Pike | F Major | 1 | 7B | 72 BPM | ||
| How Much I Like You | Hans Zimmer, Heitor Pereira | D Major | 1 | 10B | 102 BPM | ||
| The Hope for Love | Mario Malagnini | G Major | 1 | 9B | 94 BPM | ||
| All's Well That End's Well | Christian Henson | B Major | 1 | 1B | 135 BPM | ||
| Family | Guy Farley | A Minor | 2 | 8A | 120 BPM | ||
| Most Ardently in Love | Samuel Sim | G Minor | 2 | 6A | 153 BPM | ||
| Returning to the Hundred Acre Wood | Geoff Zanelli, Jon Brion | A Minor | 0 | 8A | 140 BPM | ||
| Jemima Puddle Duck | Nigel Westlake | A Major | 0 | 11B | 88 BPM | ||
| Dragon Heaven | Mark McKenzie | C Major | 0 | 8B | 73 BPM | ||
| Within A Day | Craig Armstrong | E Major | 1 | 12B | 156 BPM | ||
| Time Moves On | Craig Armstrong | A Major | 2 | 11B | 75 BPM | ||
| Old Woman | John Barry, John Debney, Royal Scottish National Orchestra | C Major | 1 | 8B | 170 BPM | ||
| Great Is Thy Faithfulness | Ian Mulder, Royal Philharmonic Orchestra | G Major | 0 | 9B | 51 BPM | ||
| The Sigot | Christophe Beck | E Major | 1 | 12B | 61 BPM | ||
| Dad's Advice | William Ross | D♭ Major | 0 | 3B | 137 BPM | ||
| Hope for a Better Future | Maurizio Malagnini | F Minor | 2 | 4A | 117 BPM | ||
| Total Dismay | John Barry, John Debney, Royal Scottish National Orchestra | C Major | 0 | 8B | 74 BPM | ||
| Meadow | Mychael Danna | F Major | 1 | 7B | 76 BPM | ||
| The Place Where Lost Things Go - Instrumental | Marc Shaiman, Scott Wittman | A Major | 0 | 11B | 77 BPM |