"Porgy and Bess, Act I: Summertime" by George Gershwin, Renée Fleming, New York Voices, Metropolitan Opera Orchestra, James Levine had its release date on January 1, 1998. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Renée Fleming - I Want Magic! - American Opera Arias". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Porgy and Bess, Act I: Summertime is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Porgy and Bess, Act I: Summertime by George Gershwin, Renée Fleming, New York Voices, Metropolitan Opera Orchestra, James Levine having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Schönberg, Claude-Michel: I Dreamed a Dream (from "Les Misérables") | Lesley Garrett, Philip Ellis | A♭ Major | 2 | 4B | 89 BPM | ||
| Lucia di Lammermoor / Act 1: "Regnava nel silenzio" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Minor | 1 | 6A | 86 BPM | ||
| Grieg: Peer Gynt, Op. 23, Act 4: No. 18, Solveig's Song | Edvard Grieg, Paavo Järvi, Camilla Tilling, Estonian National Symphony Orchestra | A Minor | 1 | 8A | 169 BPM | ||
| Eugene Onegin, Op. 24, TH 5: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | E Minor | 2 | 9A | 166 BPM | ||
| La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
| Verdi: Messa da Requiem: VI. Quid sum miser | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Dolora Zajic, Luciano Pavarotti, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
| Samson et Dalila / Act II: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato | D♭ Major | 2 | 3B | 84 BPM | ||
| Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | F Major | 1 | 7B | 190 BPM | ||
| Puccini: La bohème, Act 1: "Che gelida manina" (Rodolfo) | Giacomo Puccini, James Conlon, José Carreras, Orchestre National De France | A♭ Major | 1 | 4B | 103 BPM | ||
| Someone To Watch Over Me | George Gershwin, Zubin Mehta, New York Philharmonic | A Major | 1 | 11B | 171 BPM | ||
| Faust, CG 4 / Act 3: "Quel trouble inconnu... Salut! Demeure chaste et pure" | Charles Gounod, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 2 | 4B | 80 BPM | ||
| Candide, Act I (Remastered): Glitter and be Gay - 2017 Remastered Version | Leonard Bernstein, Barbara Cook, Candide Orchestra, Samuel Krachmalnick | A♭ Major | 2 | 4B | 172 BPM | ||
| Parsifal / Act 2: "Komm, holder Knabe!" | Richard Wagner, Heidi Grant Murphy, Kaaren Erickson, Korliss Uecker, Joyce Guyer, Jane Bunnell, Wendy White, Plácido Domingo, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
| Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
| Gershwin: Gershwin's Songbook: No. 5, I Got Rhythm | George Gershwin, Martin James Bartlett | C Minor | 1 | 5A | 70 BPM | ||
| Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | ||
| Debussy: La Romance d'Ariel, L. 54 | Claude Debussy, Sabine Devieilhe | F Minor | 1 | 4A | 78 BPM | ||
| Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 0 | 10B | 98 BPM | ||
| Porgy And Bess: Oh, Nobody Knows When de Lord Is Gonna Call | George Gershwin, Bernard Thacker, Larry Marshall, Alexander B. Smalls, Wilma Shakesnider, Glover Parham, Hartwell Mace, Houston Grand Opera Men's Ensemble, Betty Lane, John DeMain, Houston Grand Opera Orchestra | D Major | 2 | 10B | 163 BPM | ||
| Der Rosenkavalier, Op. 59 / Act 1: "Wie du warst!" | Richard Strauss, Renée Fleming, Sophie Koch, Munich Philharmonic Orchestra, Christian Thielemann | E Major | 1 | 12B | 77 BPM | ||
| Martha / Act 2: Last Rose of Summer | Friedrich von Flotow, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | F Major | 1 | 7B | 76 BPM | ||
| Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
| Del cabello mas sutil | Fernando Obradors, Ruth Ann Swenson | F♯ Major | 0 | 2B | 79 BPM | ||
| Gershwin / Arr Heindorf: The Helen Morgan Story: The Man I Love [Live] | George Gershwin, The John Wilson Orchestra, John Wilson | D♭ Major | 8 | 3B | 144 BPM |