"Reek" by Ramin Djawadi had its release date on June 4, 2013. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Reek's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ramin Djawadi's "Game Of Thrones: Season 3 (Music from the HBO Series)" album is number 13 out of 19. Based on our statistics, Reek's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Reek by Ramin Djawadi to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Tournament Begins | Rob Lane | D Minor | 5 | 7A | 78 BPM | ||
| Farmhouse | Danny Elfman | E Major | 0 | 12B | 100 BPM | ||
| In the Beginning,There Was Nothing | Clint Mansell | D Major | 3 | 10B | 167 BPM | ||
| Harry & Hermione | Nicholas Hooper | C Major | 0 | 8B | 90 BPM | ||
| Allegiance | Abel Korzeniowski | F Major | 0 | 7B | 66 BPM | ||
| Jupiter Ascending: 4th Movement | Michael Giacchino | E Minor | 8 | 9A | 88 BPM | ||
| Game of Blades | Doyle W. Donehoo | C Minor | 5 | 5A | 140 BPM | ||
| Templars | Inon Zur | D Major | 4 | 10B | 128 BPM | ||
| Running Short on Options | Mark Mothersbaugh | A♭ Major | 3 | 4B | 108 BPM | ||
| Schemes of the Anticipations | Brad Derrick | G Major | 3 | 9B | 100 BPM | ||
| 10,000 BC/End Credits | Harald Kloser, Thomas Wander | E Minor | 5 | 9A | 84 BPM | ||
| Ironborn | Ramin Djawadi | C Minor | 3 | 5A | 85 BPM | ||
| Eshkeri: Lamia's Lair | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | D Major | 5 | 10B | 149 BPM | ||
| Seeking Resonance | Marcin Przybyłowicz | G Major | 2 | 9B | 96 BPM | ||
| Sir Galahad | Jason Graves | E Minor | 2 | 9A | 92 BPM | ||
| Lost Empire | Audiomachine | A♭ Major | 6 | 4B | 120 BPM | ||
| Take It, It's Yours | Carlos Rafael Rivera | E♭ Major | 0 | 5B | 92 BPM | ||
| Oath of Malacath | Brad Derrick | D Minor | 6 | 7A | 87 BPM | ||
| Commanding The Fury | Mikolai Stroinski | G Major | 8 | 9B | 90 BPM | ||
| You Can See | John Ottman | D Minor | 0 | 7A | 68 BPM | ||
| The Blue Flames Part I | Daniel Pemberton | A Minor | 1 | 8A | 57 BPM | ||
| Blood On The Ceiling | Fernando Velázquez | G Major | 2 | 9B | 84 BPM | ||
| Sherwood Forest | Marc Streitenfeld | A Minor | 1 | 8A | 91 BPM | ||
| It's Always Summer Under the Sea (Shireen's Song) | Kerry Ingram | G Minor | 0 | 6A | 150 BPM | ||
| Flight to the Ford | Howard Shore | C Major | 1 | 8B | 109 BPM |